ZeuS Guarnerius "Bb" Trumpet Testimonials          

Just a note to tell you how thrilled I am with my new Zeus trumpet. It plays extremely well and in tune. I was also amazed at the quality of the #5C trumpet mouthpiece that came with it. I would like to order one more trumpet mouthpiece (5C) and 1 5C cornet mouthpiece. This Sunday, I am playing a recital on my new horn. I am really excited about how it plays. Thanks, Larry (CA)

Alex:    I just sent off payment for 1 5C Zeus trumpet and cornet mouthpiece; also, 1 bottle of silver polish.
I once again want to say how much I enjoy the trumpet. I have been playing on a Conn Vintage gold plated trumpet and I find the Zeus to have a better sound and better intonation. Thanks again! Larry (CA)

Hi- Just a note to let you know we will be purchasing by money order the ZTR 900S Zeus Guarnerius for our son. He is ready for advancement & we are hoping this trumpet will be our final purchase of an instrument that will last him through college, etc.. He loves playing & is one of those kids that practices without telling him too. He has proven to be responsible in caring for his horn so we feel this horn will not be "too much horn for a youngster". He's a 13 yr. old 8th grade student & has been playing on a standard trumpet 4 years. After a long hard look, we found your website & was impressed by what we found. Any feedback on the choice we made for our 13 yr. old would be appreciated. He loves his music & is enthusiastic about playing on through high school & talks about college as well. I guess we are questioning ourselves about by-passing an intermediate trumpet. We feel we can buy a good professional from you for less than an intermediate on most sites. (We found out the hard way on his first horn,...it was an expensive lesson & one we don't want to repeat again. Thank goodness he has a younger brother that will be playing it this year.) After hearing back from you, we'll be getting our international money order to you. I also want to buy the silver cream.
Thanks so much. Karen (Ulysses, KS)

Alex - Just a note to let you know the trumpet arrived in fine shape yesterday p.m.. Trevor is really pleased with it. He played it off & on throughout the evening & first thing this a.m.- I think he likes it (smiles)! It's arrived just in time for him to play in the homecoming parade so he'll be marching with pride. I want to thank you for the information on your site & keeping us informed by the e-mails you sent from the time we ordered until the trumpet arrived. We appreciate being able to buy such a nice trumpet for a price that would have been twice that & more anywhere else. You will probably be hearing from us in a few more years when our next son is ready to advance up. It appears you have a great business & a sincere interest in people getting a quality instrument at a fair price.      Thanks! Karen (KS)

Alex, i want to tell you that I have fell in love with my trumpet that I bought from you, the Zeus G-900S . It is a fine piece of workmanship and I realized it the other day when I was working on a couple other horns that I am restoring and man for the money you can't beat the quality. I think it does play better than a Strad. Again Alex, what can I say? Sincerely Ben (PA)

I am a University music major as well as a private trumpet teacher and I play in various bands including the Maple Leaf Brass Band here in Ottawa, Canada. I have recently purchased two ZeuS Guarnerius instruments. One is a ZTR 900S trumpet and the other is the ZCR 900S Cornet. Just dropping you a line to say that I am very pleased with both the Zeus Guarnerius Trumpet and Cornet. Everybody has noticed the improvement in the tone in my playing. Each instrument has fast, smooth valves. I have already recommended both horns to anybody who is in the market for a horn. I have also recommended your store to a few potential buyers of student horns. Kathryn (Ottawa Canada)

Okay... That does it... Now I really want to head north and see these horns up close and see what they sound like... Have been stopping in on your web site every week to see what you have added in pictures... I've been drooling over the lacquered finished horn... I just took a peek at your web site. And now, this morning, I discover the copper bell and lacquered horn... All I could do is shake my head and exclaim quietly (I am at the office), "Oh my gosh!" It is a b-e-a-u-t-y... W-O-W...
Ray (Bucknell University)

I received my Zeus trumpet a week ago. I wanted to hold off on commenting to give it a fair amount of time to try it out. I have been overwhelmingly pleased with the horn. The ordering process was simple. Alex was very easy to deal with and very friendly in both e-mails and on the phone. He was very willing to work with me to get the horn into my hands. The horn came in a nice Pro-Tec case which protected it perfectly during shipping. When I opened the case I saw an absolutely gorgeous instrument. I purchased the Zeus with the antique brushed lacquer finish. It is absolutely gorgeous to look at. It came with a mouthpiece marked Zeus 5C which looked a little too big for me so I have not tried it. I put in my Schilke 14A4 and started playing. My wife was there and was amazed at the tone quality I had. I played different things just goofing around and went up to Double C with no problems. I typically have a really good range and can hit Double C pretty frequently but this felt easy. The resistance was the same from bottom to top. So was the tone. This is the one time that I had a horn with a pretty tone all the way through. But when I gave it a little more air it became brighter. My overall impression is that this is an excellent all around horn. The price, service and quality of the instrument really can't be beat. I am very gracious that Alex was so kind and flexible. I feel that I have found a horn that I can play and use and, most of all, enjoy for some time to come. Now if my wife is as understanding about the Zeus flugel.    Brian (MO)    Leadtrmptplyr@aol.com

I ordered my ZeuS G. today and can't wait to get it! Based on discussions I have had recently with several veteran trumpet players who own Mt. Vernon Bach Strads (circa 1950's) and have tried the new, mass production versions; they say you have about a 1 in 4 or 1 in 5 chance of getting a decent model, but NOT even close to the old hand made versions. Hence, a new Bach doesn't seem like a good bet. Greg (MN)

I was just coming home from lunch after having another rehearsal this morning and I was talking with my wife. I was telling her again how much I like this trumpet. I expected to like it but it has been a long time since I have noticably liked a new horn as much as this one. The only other horn that I have had that I liked this much was a Lawler. The finish reminds me very much of a Lawler. But the blow is very similar. Just wondering about the maker. I'm sure you aren't going to tell me so I won't ask. I have also had at least 5 people e-mail me directly about the horn. I know that at least 1 or 2 have ordered from you. Talk to you later. Brian.

I had a phone conversation yesterday with someone who has just recieved his Zeus two days ago . I know he was looking for a backup horn. His main ax is fairly new Conn Vintage One with sterling bell that cost twice as much. He also plays a Kanstul Custom Class cornet. I think he is planning to use the Zeus on a gig this weekend. He basically said he couldn't put the horn down and played it for about 3 hours the first day. He said he kept looking for flaws or faults with the way the horn played and so far hadn't found any. I will be getting back to you with more reports because I am going to be checking them out as well.
Priscilla (York, PA)

Alex, I tried calling you on Tuesday of this week, but I believe per your info on the Trumpet Herald that you would be unable to respond because you would be out of town. The ZeusG is everything you said it would be. It is very free blowing in all registers (more so than my Conn V1), intonation is on the money, great projection, and slotting of notes in the upper register is outstanding. In my opinion this horn can be used in all musical situations from concert to legit to screaming lead in a big band. Very easy to shade the sound to make it work for these situations. If I would have know earlier about these horns (like before April) I could have saved myself a lot of money and not have bought the Conn. I am very happy, and excited about the ZeusG. My other horns haven't been touched since getting it. Also you maybe contacted by P.C. King who sometimes posts on the Herald. She is thinking of maybe picking up a few Zeus', to sell at her store in York Pennsylvania.
I am working with a guy on Sunday that is looking for a new horn, but doesn't want to spend an arm and a leg for one...so I am going to let him try out my Zeus before the gig. No lie Alex, this horn is GREAT!!! You hit the nail on the head when you said that if this horn was going for $2000.00 everyone would be jumping on the band wagon. It was worth taking the chance. In the meantime, when I post on the Herald I will give you an excellent review!!! Thanks for everything. Now if you can make mouthpieces for under $25.00 and as good as the ZeusG, now you would be talking!!! Believe it or not I like the 5C mpc that comes along with the ZeusG. Great mpc for all around work, but you need some more flavors(i.e, different rim diameters, and shallower cups, etc.)
John Miconi      Jmitrumpet@aol.com

I got my brand new Raw Brass ZeusG this past Tuesday. It is everything that Alex informed me it would be. I know everyone is speculating that the Zeus is made by the Kanstul factory, if so, great. I purchased a Conn V1/sterling bell back in April, and to tell you the truth the Zeus G plays more open than the Conn. Intonation, slotting of notes in the upper register, projection it's just phenomenal!!! I have a Kanstul Custom Class Cornet, and as far as craftsmanship the ZeusG surpasses it. Alex hit it on the head when he said that if the horn had a price of $2000.00 on it everyone would be jumping at the chance to get one. Usually I don't by trumpets on a whim, but I just had a good feeling going into this venture. Alex has an excellent thing going on, so does it really matter who made the horn? Selmer makes Bach Strads, how many do you have to try until you find the right one? If you are looking to buy a new horn for less than 1/2 of what other trumpets are going for, you should try the ZeusG............more bang for the buck!!! If Alex can sell his horns for that price, imagine what he could sell mouthpieces for!!!
John Miconi

Thank you so much for your prompt attention to my inquiries. You are certainly a class act. As I've already said, I've read nothing but rave reviews from anyone that has actually done business with you. My wife has a co-worker that's looking for a clarinet. I'm giving her the url to your site and telling her to read, read, read. I'm sure she'll be impressed as I was. If you have any additional up-front clarinet advise for her I'll certainly pass it on to her. I'll be sending as many people as possible your way. Wouldn't it be great to see a couple dozen ZeuS instruments in our High School band? I think so. Good thinking not to send the horn until Monday, just another one of those "little" things that go a long way in the customer service department. Guess that should get the trumpet here about Friday (hopefully) that's perfect because an ensemble from the Augusta Symphony is accompanying our church chorus this weekend, so it will be very easy to get that professional opinion. Hey, maybe we can get a few ZeuS instruments in the Augusta Symphony!! I know you're busy so I'll quit rambling and let you get back to assisting more of your new customers. Thanks again for the great service, I'll let you know when it gets here. John

I have posted before about the wonderful new Zeus that I have purchased. I am not a great musician by any stretch of the imagination but I do work a lot of paying gigs so I guess that makes me a professional. I have played alongside guys that were in Kentons band and Basies band and felt that I held my own. They invited me back to join the band they are in now so I guess I did something right. I take a lot of pride in my playing and can honestly say that the Zeus has helped me play better. I get the tone I want and the range that I have to have to play some of the gigs I do. This horn feels even in all registers and will take whatever I give it. When I want it to sound nice and pretty it does. When I want to scream then it screams. It allows me to be subtle which is something that most people have never associated with my playing. I am a typical balls to the wall player. I give it 110% every time and I will take risks and play things the way I want to. This horn lets me. Let me repeat, "THIS HORN LETS ME." I have played and owned many horns over the years. I have had Bach Strads, Holtons, Yamahas, Stomvis, Conns, Kings, Kanstuls, Calicchios, Lawlers and yes, even Getzens. I think that makes me a pretty fair assessor of the quality of this horn. The only one of the above that came close to the quality of this horn was the Lawler. But the Lawlers resistance changed for me. The Zeus is the same in all registers. That is the one thing that for me makes it a step better horn than the Lawler was. Now in all fairness to Lawler I should have tried a different leadpipe. The one I had was fairly small. Maybe if I had tried a bigger leadpipe that would have solved the problem. However, I got the Zeus for nearly $1000 less and it has been a blast to play on. Normally I find my personal practice time to be somewhat boring but do it because I have to in order to keep my chops where I want them. All I can say is this, I feel that the Zeus is a great horn and would still be a great horn at twice the price and worth every dime. I have to commend Alex for making this great horn available to us at a low cost and for being so accomodating in offering his payment plan. Not too many other places will put a great horn in your hands on a payment plan. I believe that the Zeus is an awesome horn and should be seriously considered by anyone that is looking for a new horn. I don't believe you will be disappointed. I think you will find yourself agreeing that it is a fine quality instrument. Brian (MO)

Alex, Thanks a lot for your quick reply. I have been reading about your company and ZeuS brand for the past few hours and must tell you that I think you are right on the money. Even back in the mid-seventies, when I was in high school, Bach was the only "approved" trumpet brand. I suspected then that it had more to do with the band director's association with the local instrument dealer than the quality of the instrument. I bought a Benge, instead, more because of its sound and its ability to bend notes a little easier than the Bach's, and in spite of the Bach-or-die mentality. I was an All-State player for Texas in '76 and '77, despite not playing a Bach. All that is to say that I like what you're doing. The price of these horns has tripled since I bought my last new one, and the quality is not there anymore, and I am glad you're giving parents (and "mature" players) a quality alternative. I am looking forward to hearing about your Guarnerius-model flugel. Thanks again. Keep up the good work. Chuck

Hey Alex, Another homerun with the ZueS G B-flat. When will there be a ZueS E-flat and piccolo trumpet?    Mike Daniell  (GA)

I have a Zeus Bb and it sounds great. I have listened to my son play it and he has listened to me. He says my tone is better than on anything I have played except possibly a Lawler 24B. I have not played a Mt Vernon Bach but I know that the Zeus plays and sounds better than any modern Bach I have owned, played or heard. Brian (MO)

I played with a guy yesterday that had a ZueS C trumpet. and it sounded very very much like a Mt. Vernon. To support my point i have a Mt. Vernon Bb and we played both. One would play and the other one would listen. We were playing in a large music room. Neither one of of could tell the diffence on certain notes to make it fair we stood at the far end of the room with our backs turned. I never thought the ZueS was what eveyone said it was on the forum but it measures up and the fit and finish was perfect. the valves were perfect.     gustav (discussion group)

A friend in our band told me last night that he was selling his Mt.Vernon Bach rather than getting it restored. Sadly, he plans to buy a new Bach for $2400. I'm hoping that he will at least consider other horns after he plays my ZeuS G. when I get it. Greg (MN)

It seems to be a common assumption in trumpet circles that the original Mt. Vernon Strads were superior to the mass produced horns Selmer now sales under the Bach Strad logo. I know in my own experience the first Strad I owned, manufactured right after Vincent Bach sold the company, but while he was still personally involved with quality control at Selmer, was vastly superior to the last Bach I owned. That last Bach by the way is likely to be the last Bach I ever own.   (discussion group)

About Bach Strads. I have owned a lightweight with 37 bell. Not sure which leadpipe it was but it was a regular and not the reverse. I have played many Strads and personally just don't care for the sound or feel of them. But they are considered by most band directors as the horn to buy. Most band directors and music store owners will try to convince you that you aren't playing a great professional horn if you aren't playing a Strad.

Definitely do not fall into that trap.

If you like the Strad then go for it. I would highly recommend that if you get one that you have a valve alignment done on it though.

Now onto my thoughts. Without knowing what type of music you play the most it is hard to help you find a great horn. I can only give you some opinions on horns that I have tried and liked.

I just recently purchased a Zeus Garnerius from Zachary Music in Canada. The horn itself is based on the Mt Vernon Bachs from the 30's to the 50's. The horn is a little heavier to me than what I am accustomed to. But it focuses the sound and seems to make my playing easier. I play lead trumpet in 2 big bands, I play in pit orchestras, I play at church and in community bands. I have been to rehearsals of all those things with the Zeus and everyone that paid any attention to my playing thought I sounded better. The tone quality is astonishing. It is really pretty but when I give it some air it will brighten up. I got one with a brushed lacquer finish and it is gorgeous. It is the best horn that I have played in a very long time. The only one that comes close to playing this good for me is a Lawler. And Lawlers cost about $1000 more than the Zeus did. Read some of the posts on here about it and e-mail Alex at info@zacharymusic.com if you are interested in it. You should give it a try if you are looking for a quality horn, in fact on of the best horns on the market at any price. But as I stated before most opinions stink. I only tell you about this because I have found a horn that for me plays remarkably well and the price is great. Just some food for thought. Hope this helps and let me know if you need anything. I have played a lot of horns over the last 3 years trying to find the perfect horn. I think I have found it. Brian (MO)

Hi Alex, I am e-mailing you as per your request, for the purchase of a Silver Aegis Mouthpiece. I will be sending out the money order for the mouthpiece and for shipping. I just need the address to mail it to. I can't wait to get it. I keep your trumpet with me everywhere I go. I have it in my work cube right now, as I usually play during lunch. I Just wanted to let you know that regardless of what the "effete snobs" say about ZeuS, I will be a loyal fan. You have produced one of the finest horns I have ever played. Thanks for both your help and advice. Gary

Hi all. I just got my Zeus Guarnerius-Silver Bb trumpet today. Let me give you some objective feedback, from an amateur who has played Benges since the 9th grade (1978). The horn has a very nice silver finish as you would expect and fine workmanship. This is a heavy horn, compared to both my Benge 3X and my daughter's Holton 550S. At first, the response to me was not like night and day compared to my Benge 3X-MLP (.464 bore). But after playing it for about an hour I could tell the difference. It seems to play more evenly from low C to high C with much fewer "glitches" in the tone. The resistance is much more even than my Benge and on average comparable to the larger bore Benge. The more I play it the smoother it feels. The tone is much fuller but without the muffled sound of some heavy/dark horns. And up top the tone really stays constant and clear. If you really push it though it can be very bright like my Benge. It appears much more possible to "color" the tone with this horn. My wife says my Benge sounds "screechy" and has more hiss than the ZeuS - (she's a trained Soprano with a very good ear for pitch) - much more pleasing to her ear for sure. She also noticed, more than I, that scales are more in tune with the ZeuS. We had my 6th grade daughter play it and the difference was even more pronounced. I guess I unconsciously compensate for Benge idiosyncracies after all these years. The valves are smooth and the pressure is even, but they are not as light as my Benge. Its probably what you are used to. I will provide more feedback as I play it in the next few days. Also, I am having a more experienced friend play it and compare it objectively and with his vintage 50's Strad. So I'll let you know what he thinks as well. Greg (discussion group)

Greg, It sounds like you are going to have some fun with this horn! I would love to buy one as well. So much has been made of what it can and can't do; I am pretty sure it would help my playing as I just own a couple of vintage horns. I'm anticipating your other test results later in the week - keep us posted! On a slightly different note - I have read a few hands-on reviews of these horns in the brushed finish and the silver-plate; has anyone tried one with the copper bell? That's the one that really gets my blood flowing... Oliver (discussion group)

Man, I tell you the valves are tight on this horn (ZeuS). When you open the spit valve and blow the airstream out the spit valve is like out of a pressure hose! The more I play this thing the better it "feels". It really does produce a seductive timbre that I could never get out of my Benges. And it transitions so much easier from sweet to nasty in the same breath. My Benges were like Corvettes and my ZeuS is like a Porsche. Greg

I've had my Guarnerius ZTR 900AL for about a month. Alex, you convinced me to go for the antique lacquered brass and I'm glad you did. This trumpet is very unique. All of the members in the Worship band complement it's looks. The sound, intonation and response is incredible (even the Strad player sitting next to me noticed a difference). My upper range has improved; my tone is so much better. Thanks for offering this great horn at a price where the "regular" guys can afford it. Maybe there's a fluegelhorn in my future.... Scott Daniels (Broomfield, CO)     Muscltrnr1@cs.com

I just got the opportunity to play the controversial ZeuS Bb trumpet for the first time today. I have been reading the posts, both good and bad, on this forum for a couple of weeks now. I am generally not convinced of any viewpoint on a specific horn until I have the chance to play one for myself. Well, I did, and my perception of the horn is that it is really, really nice. It does sound much like the Mt. Vernon Bachs that I have played. It really responds great, and the intonation is outstanding. I had a trumpet professor at a local university give it a try, and he, being a Bach man his entire life, was skeptical at first. After playing the horn, however, he could not get over the similarities between the ZeuS and the older Bachs. He was truly impressed, as was I. He even liked the valves on the ZeuS better than the Bach valves. All I will say is this...if you can look past the "cheap" price of the horn, and look past the fact that some feel that the "Bachs of the past" can't be truly duplicated with modern equipment, and you just test play one for yourself, you can make your own judgement call. Let the sound, the feel, and the music help you decide if these are for real or not...don't worry about the nit-picky stuff like which mandrel was used, etc. I really like the horn, and am planning on buying one. I would recommend it to anyone for a test play....you decide for yourself if it is a keeper...I personally think it is. Thanks Alex. Trumpeterb (discussion group)

I hope that Zues and Zachary Music become a standard for quality instrument purchases. As well, it redefines the opinion that internet purchases are risky and cost a fortune to get great craftsmanship and quality. I wish you all the success. Let me know if I can do anything to help you with. And, yes, I plan to spread the word, and I think as a buyer rather than a dealer I still will be able to be a great representative for Zachary Music and the ZueS line, I believe in you and your product. It speaks for itself. ps I'm glad to see that you no longer sell the Bach Strat 37 :) George (WA)

Hello I have been looking at the Zeus Bb trumpet in silver plate. Can you quote me a price for delivery to the UK (Scotland). Did you know that by the time I have paid the import duty and VAT it will still be 33% cheaper than the cheapest price of a Bach 180/37 over here? I have never been a great fan of the Bach. I had one about 14 years ago and it was a dog. I Swapped it for a 1950's Selmer Paris. I then got a Yamaha heavyweight for orchestral playing and eventually sold the Selmer to buy an engagement ring. Anyway, I married the lady and our son has been promised my Yamaha if he passes his trumpet basic grade exam this year. So dad has to get a new trumpet. I am prepared to risk a Zeus because I think it may have the sound and intonation I am looking for. Oddly enough if it were more expensive I might have fewer reservations. maybe thats how Monette makes his money. Anyway, let me know a price for UK insured delivery. I would want the silver plated one. Thanks, Gordon (Scotland}

I decided to order one of the brushed lacquer models and received it today. Alex from Zachary Music was wonderful to work with and was VERY patient with me. He got the horn out to me VERY quickly and it arrived in perfect condition!! I haven't had too much of a chance to play it yet but I must say it is definitely a well built horn! I haven't had too much time to play it yet but thus far it seems to play better than an old Bach 37 from the early 70's that I have and that horn is the best Bach 37 I've ever played. John, (NJ)

Good day ZeuS-aphiles! Well, I just got back from testing my ZeuS G. against my friend's (Gene) vintage 50's Strad. Here's the poop: - The sound qualities between the two horns is very, very close as both player and listener - that is beautiful! - The pitch accuracy is the same to our ears (forgot the stupid tuner). - They both play / feel very much alike with the ZeuS having just a bit more resistance, understandable, since the ZeuS is noticably heavier than the Mt.V. - Notes above the staff are clean on both horns. - The valves and slides are freer on the Mt. V. - due to age says Gene - Gene says it's the real deal! and so it continues... Greg (MN)

I've had my Guarnerius ZTR 900AL for about a month. Alex, you convinced me to go for the antique lacquered brass and I'm glad you did. This trumpet is very unique. All of the members in the Worship band complement it's looks. The sound, intonation and response is incredible (even the Strad player sitting next to me noticed a difference). My upper range has improved; my tone is so much better. Thanks for offering this great horn at a price where the "regular" guys can afford it. Maybe there's a fluegelhorn in my future.... Scott (Broomfield, CO)

Received the Zeus Guarnerius trumpet today. Wow, what a beautiful instrument. We will give it to my son on Christmas but this one will be a hard one to wait for. It will be exciting to see his response. Thanks for all your help and input. You helped us make the wisest choice. George (WA)

Hey Alex, An interesting thing happened in one of my lessons this evening. A student noticed my Zeus and wanted to play it. She did! Her mom was impressed at the tone she produced. I also have a Bach Strad I'm trying to sell for another student. (for $50 more than a new ZeusG) She also played that trumpet. She also liked it, but kept going back to the ZeusG. The ZeusG produced such a "sweet" sound at piano, and a powerful sound at forte from this student that her mom wanted to rent it for her all-state audition tomorrow. I played the ZeuS B-flat and C at a concert last night with great results. I'm loving them!!! Mike (GA)

Alex, I just wanted to drop you a line and thank you for your time on the phone the other day. Carl Marks, the owner of Marks Music in Hermitage Pennsylvania, and I are very impressed with your Zeus trumpet. I have been playing the one that he purchased from you, and I can't believe how great it plays. It is like the "Bach" sound that I always wanted, but could never seem to get, only the intonation and response is much better than modern Bachs. As I told you on the phone, I am really excited about this horn, and I am recommending it to all of my private students looking to upgrade to a pro level instrument. Congratulations, once again, on a FANTASTIC instrument. I also wanted to remind you about the Bb and C trumpets in antique brushed lacquer (matching set) that Carl ordered...if you have any idea of when they might be done, let me know. It would be great to get them before Christmas if possible (for those holiday gigs), although I realize that you have no control over how quickly the factory can produce them. We are extremely excited to get both of these horns and give them a good workout. I look forward to your response, and to doing more business with you more in the future. Very sincerely, Andy (PA)

I finally got the opportunity to play on one of these elusive horns. I would have liked to have had a couple of days to fiddle with it since it did play really nicely, but this is what I was able to come up with from the short time I played on one.

Fit and Finish:
All of the tubing joints looked really good but I noticed that the second brace (closest to the valve case) off of the leadpipe appeard to be slightly off. It should be perpendicular to the leadpipe and parallel to the other brace, but it was just ever so slightly off as if it was "leaning" just a tad. As for the finish, well, it's raw brass, except for parts of the tubing that appear to be either made of nickel, or plated in nickel. I will comment that the buffing of the finished parts looked good.

Feel:
This horn is HEAVY! Quite a bit heavier than my Bach. Also, some of the tubing, such as entry points for slides, appears to be of a heavier guage than that on my Bach. The valve cluster could be that of a Bach only the valves are spaced just slightly further apart and they aren't machined down quite as much. (The external valve tubes are straight where on a Bach, they have some slight curves for contour.) Also, we took off one of the bottom valve caps an my Bach valve cap screwed right on with no problem whatsoever. The valves feel really good. Very fast and consistent and I never had one stick or drag at all on me. Sometimes with a brand new horn (this one is only a week or so off of the production line) the valves tend to be a bit sluggish. These valves compare to the valves on a Schilke more than they compare to the valves on my Bach. Fast and silky smooth. Alignment? Not sure on this one because it probably takes more than just the naked eye to determine if the valves are truly aligned and I don't really know any of that, however, they appear to line up exactly when they are depressed. This is from pulling the first and second valve slide and eyeballing where they line up.

Playing: Solid core of sound and very consistent throughout. Intonation is probably a bit better than on my hand-picked Bach Strad. The sound was on the dark side, but had a nice warmness to it. I felt that it played fairly open, but not so open that I didn't have something to push against, but not stuffy in the least. Slotting seemed to be pretty good too. The one thing that really stands out about the sound of this horn and the way that it plays is that you can push it pretty hard and play pretty danged loud and the sound won't spread. I can get my Bach to sound blatty pretty quickly but I'd have to really push this horn to do that. This is probably due to the weight of the horn, but I'm not sure.

I can't say for certainty that I liked this horn better than my Bach but it is at least on par with it, which is saying something because I'm beginning to believe more and more that the Bach that I have is a winner among the newer Bachs. This would be a great quintet, concert band or combo horn in my opinion but I'm not sure if I would want to use it in a big band or rock band situation. Then again, I really didn't get as much time on it as I would need to make that determination. One thing that I will say is that I think it's a steal for the money. In my opinion there is no good reason to go out and buy your HS kid a Bach Strad, especially if you aren't going to take the time to play about 20 different ones like I did, when you can get this horn instead and pay less.

I guess the real questions are these: Would I gig on this horn? Yes. Would I play this horn in any ensemble? Yes, I think that it would be versatile enough for that. Would I buy one? Yes. I'm working on saving up some cash.

Alex, I think you've done a good thing here. For the money, I doubt if there is a better value for a trumpet. It plays every bit as good as my Bach, maybe better, and costs far less. Patrick (MD)

Alex, or should I call you "Dr. Zeus"? : )
Received the Trumpet last Thursday (only took it 3 days to get here). What a beautiful instrument it is! I'm so glad I went with the Copper bell. I'm almost tempted to hang it on the wall as a piece of artwork rather than give it to my son. But that wouldn't be fair to the trumpet would it? As I told you, I don't know anything about trumpets so I had a couple people check it out for me.

I'm in the Army, so Friday I stopped by the rehearsal hall for the US Army Signal Corps Band. As luck would have it, the band had the day off, but it just so happened that their lead trumpet player was there just goofing off and said he'd be glad to check it out for me. When he first opened the case (which by the way he commented was a very good one) his eyes grew. "Oh, copper!... that's good" He picked it up and looked it over for a few minutes, and of course looked at the name on the bell. "Hmmpf, Zeus?... never heard of it". "Mind if I play it a little"? Duh! that's why I brought it. He grabbed his mouthpiece and started to play, slow, fast, high, low... I may not know much about trumpets, but I do know what I like when I hear it & I certainly liked what I heard. He was very pleased as well. He said it has a fairly dark sound, which he attributed to both the copper bell, and the weight of the horn. He said he's been playing the Army supplied Bach (I don't know what model) and he hates it. He said it's too light. "They're fine if you want to peel the paint off the walls". He said the ZeuS had a full rich tone and responded well to him, it was fun to play. The only negative comment he had was that the valves were just a little slow, but said that they probably put slide grease rather than valve oil on them at the factory for storage and shipping. He also said there was grease on the 1st & 3rd slides and he recommended putting valve oil on them as well. Of course I already knew that from the info on your website, so I guess he didn't really have any negative comments.

Saturday I got Dr. House, (trumpeter for the Augusta Symphony) to check it out. He also was impressed with the weight and said it was very responsive, "a very nice instrument". He said he didn't have his tuner with him, but based on 20+ years of professional experience it slotted very well in all registers. He said I made a very good purchase and that it will serve my son very well through HS and College and will last him a lifetime if he takes care of it.

Thanks Dr. ZeuS! Exactly what I was looking for and a great price to boot! Can't wait till Christmas morning to see Nick's face. If by chance he doesn't like it, can I keep the trumpet and return him???

Hope you're not offended if the Dr. Zeus title sticks! I think it's great!       Thanks again, John (Augusta GA)

Hi Alex, how are you?
I just wanted to take a moment to tell you that this new "ZeuS Guarnerius Silver Trumpet" you sent me arrived in perfect condition. Wow! This trumpet is everything you said it was and right in line with many of the other reviews I had read by other musicians from your web site. I am very pleased that I had purchased this fine quality horn. I played it and realized from the first note on, that this trumpet was indeed for real!!! Sometimes we can read things and wonder if it's all hype and let me tell you this is the real deal. I admit I was somewhat skeptical at first but after talking with you I knew that this horn would be worth trying out. I appreciate the time you spent with me on the phone, answering all my many questions. You spoke the truth in every way. The craftsmanship is superb! I'm pretty picky and I can't even find the slightest flaw. You can feel the quality just by holding the Zeus in your hands and working the valves. I also play on a Bach 43 Stradivarius trumpet, and your trumpet plays equally as nice if not possibly better, who knows! (I'm still running some tests against my Bach Strad and so far it can do anything my Stradivarius can). The sound quality is robust and full. The intonation is excellent! I will be referring others as I know they well eventually ask what horn I am playing. Let other potential buyers know that this horn is not a Bach Stradivarius copy or a look alike. It's literally a perfect clone of a Bach Strad in the era when Bach Stradivarius trumpets were at it's peak. This trumpet can really play!!!
My sincere thanks again for this fine quality trumpet. I appreciate it!!! TED

Ted (Trumpet player with the San Diego Concert Band)
P.S. Thanks for prepping my horn! The slides were all greased and the valves oiled! I played it immediately right out of the box!

Hi Alex, how are you?
I just wanted to take a moment to tell you that this new "ZeuS Guarnerius Silver Trumpet" you sent me arrived in perfect condition. Wow! This trumpet is everything you said it was and right in line with many of the other reviews I had read by other musicians from your web site. I am very pleased that I had purchased this fine quality horn. I played it and realized from the first note on, that this trumpet was indeed for real!!! Sometimes we can read things and wonder if it's all hype and let me tell you this is the real deal. I admit I was somewhat skeptical at first but after talking with you I knew that this horn would be worth trying out. I appreciate the time you spent with me on the phone, answering all my many questions. You spoke the truth in every way. The craftsmanship is superb! I'm pretty picky and I can't even find the slightest flaw. You can feel the quality just by holding the Zeus in your hands and working the valves. I also play on a Bach 43 Stradivarius trumpet, and your trumpet plays equally as nice if not possibly better, who knows! (I'm still running some tests against my Bach Strad and so far it can do anything my Stradivarius can). The sound quality is robust and full. The intonation is excellent! I will be referring others as I know they well eventually ask what horn I am playing. Let other potential buyers know that this horn is not a Bach Stradivarius copy or a look alike. It's literally a perfect clone of a Bach Strad in the era when Bach Stradivarius trumpets were at it's peak. This trumpet can really play!!!

My sincere thanks again for this fine quality trumpet. I appreciate it!!! TED
Trumpet player with the San Diego Concert Band P.S.
Thanks for prepping my horn! The slides were all greased and the valves oiled! I played it immediately right out of the box!

All I can say is that he may find that the bach suits his needs, and he may find that the Zeus does. It comes down to a personal choice of what you like, what you are looking for, and what you need. I would suggest that he try a Zeus and a Bach, and compare. He will be able to tell which one he likes the best. I really think the Zeus, from my personal experience, are more consistant horns. I used to be a bach man. I had to really search to find a bach that I liked. Then, I ended up altering the horn, ie. new bell, leadpipe, and tuning slide to finally get it to play the way I wanted it to. With the Zeus, at least for me, it was great "right out of the box." Does the Zeus play better than my Frankenstein Bach...I would say they play differently, but one is not better than the other. Overall, I do enjoy the Zeus horn more than the Bach. I think it is a very versitile horn with a lot of great qualities. It is financially a better deal as well. Would I recommend it over a Bach, perhaps...but it is ultimately up to the player. My advice would be try and play both. The best horn will ultimately sell itself. If you are ever in the Western Pennsylvania or Eastern Ohio area, the music store that I teach as carries Zeus, and the owner would be more than happy to let you test out the horn. Happy horn hunting, and have a great holiday season. Andy

Zues went to a party Saturday night!

Brief Review:(email me if I miss something!)
Irregardless of price, the Zues is a great sounding instrument. Sweet Bach sound/playing charachteristics(response, intonation etc...) Good projection, slots pretty smoothly up to double G,popped a double C a few times. Nice in the staff right down to pedal range. I played a Bach ML 37 for years...like this better. This the way a 53 Bach plays? Look forward to Lee's analysis. For my taste/needs, I would be interested in trying a larger bore version (like .464). ML is a little tight for me(but manageable I found). Like a Z horn, you get a nice tone/sound for the resistence the horn has(good trade off)

All were impressed (I asked opinions from musicians and audience)

Background(what I used the Zues for): Road tested Zues with my high energy party dance band. Three non-stop blasting sets of Disco, Funk, Latin, Swing songs(each set over a hour). Trumpet part calls for high endurance. Tons of work above the staff. Been playing over thirty years and have tried many horns. Zues got the job done very well.

On to Lee's Template:(again..as brief as possible!) I only need two rating designations for this test. Very Good and Excellent. My "expensive" Callet Jazz(and a few other super horns I've tried) just go a little above and beyond in playability(as they darn well should!)

Response: Very good. Totally there in each instance,note etc.

Intonation: To my ears, all notes were in tune(no oddball note problems) No tuner used.

Slotting: Very good. Slots pretty smoothly up to double C

Sound: Very Good. Brought back my fondest memories of a good Bach sound and how well it mixes with so many genres of music.

Projection: Suprisingly Very Good. More Laser like. Cut through the noisy rythm section well.

Overall Playbilty: Very Good. As good as you would want it(in most cases)

Construction: Well built horn. I recognize some of the Kanstul sections. Good Stuff. Valves, slides all smooth and in good working order. Very minor Nit Pick mention alert! The soldering could have been a little neater. I don't care about this, but other cosmetic minded nuts might. I only care how it plays.

Comparative: I love my incredible Super Callet Jazz. Perfect for my taste, playing requirements and budget(thats all the gushing you'll get out of me here!). Not fair to compare a race car(Jazz) to a Mercedes/BMW etc (Zues). Both great in their own right. As mentioned above, these tweaked super horns are more than twice the price of Zues and(although perform better) not twice as good. I could post lengthy, my philosophy on this one subject alone..I'll spare you..lets focus on the fine Zues.

Blending: Bachs ususally blend well. It did..with rythm section and Tenor Sax Mouthpiece: I use one of the fine Northern Brass ones. Made for a nice set up.

Mouthpiece: I use one of the fine Northern Brass ones. Made for a nice set up.

This horn would be a great selection for many different player need senarios. You'll have to decide for yourself. John Goroly (NY,NY)

Here's my Zeus evaluation. To put it in context, I'm not a pro but I've been playing trumpet and cornet since the mid-1950s and currently am a member of a 60-piece community concert band, a 16-piece community big band, and a Dixie group. I also play in church from time to time. I play a 1989 Yamaha 6335 Bb, 1992 Yamaha Mark II C, 1959 Olds Recording Bb, 1986 Benge Piccolo, 1962 King Master cornet, 1965 Paris LeBlanc flugel, and Jupiter pocket trumpet. I play GR*** mouthpieces, which I used for my Zeus evaluation.

I played the Zeus only in my home office, a 600-square foot space with a high, vaulted ceiling.

Response - Excellent. Loud or soft, the notes really jump out of the horn. Intonation - Very good.

Slotting - Excellent. I took it to F above high C and if felt like it could go higher if I could. At the same time, I was able to bend notes easily.

Sound - I'd call it big and bright with a nice edge to it. Liked the sound on both "Trumpet Voluntary" and "Tangerine."

Projection - Excellent. It easily filled my space.

Overall playability - Very open, very easy to play. Excellent valve action. Very smooth scale. Trills very easy to play.

Construction - Excellent. No fit or finish problems at all that I could find. (Two hairline scratches on the bell tube, forward of the finger hook, probably post factory).

Comparisons - Seemed very similar to my Yamaha 6335s, which is a .460 bore horn with 4 7/8 inch bell, about the same size as the Zeus. Low and mid register not quite as buttery as my Olds Recording with red brass bell, but what other horn would be? Conclusion - I'd say the Zeus is an outstanding horn and a real bargain as well!    Jim (Chicago)

I hesitated to post since i have played Bach's since the early sixties. I have played a lot of great ones and some really lousy one, most of the lousy ones are the last 10 years. I had a new one made in 2001 a 37 with a gold brass bell and it was a true dog. It sounded as if it had a sock in the bell. At this time in my life i would not buy another Bach trumpet. I have a freind who plays in a large symphony in the south and for his trumpet he plays a B&S sterling bell model. It plays like the Bachs of old. I have a teaching friend who has a Zues B and C and it plays and sounds better than Bach or B&S, so there are trumpets out there far superior for less of a price with better quality than Bachs. Gustav

The Zeus is being presented as a quality professional horn at a reasonable price, not a new design or tweeked horn. Alex is conservative and traditional regarding horn design. His assault on the system is more against the way horns are marketed. My take is that he is a driven, hard working guy who is committed to his mission. POK has pointed out that she is unsure of what might happen with the Zeus in the future - perhaps a new maker with lesser quality or some other devolution of the Z brand. Frankly, that can happen with any brand. There are plenty of posts describing the vagaries of Bach quality and performance. The Collichio is moving to Tulsa. Mr. Kanstul runs a family business - and most family businesses don't survive three or four generations. Only time will tell what happens to ZeuS. It may grow to an empire, be a stable foundation for Alex's livlihood, or disappear if Alex is hit by a Molson truck. I agree that the trumpet will develop and evolve. More makers than Monette claim to be combining the skills of old world craftspeople with acoustic scientists to bring the horn to new levels. However, most of the trumpet market is made of traditionalists who want an outstanding horn that doesn't break the trumpet paradigm. IMO, the ZeuS is tracking very well as a new brand in that market. Notice, I said new brand. It doesn't transform the trumpet, but it offers buyers competitive quality at a competitive price. Rafterman (NY)

Yes....I am the person that has a Zeus and has the similar moniker. I still have my Zeus and love it. I have sold every other horn I have, as this one does it all for me. I sold my Yamaha not long after getting the Zeus. Still a satisfied customer and Zeus player. Brian

I think I have been pretty fair in my assessment of my Zeus as well. I have played many horns over the years. I have owned/played Bachs, Holtons, Yamahas, Stomvis, Calicchios, Lawlers, Blessing, Kanstul, Benge and Besson. The only horns I haven't had the chance to play have been the extremely expensive ones such as Monette, Taylor, Callet and Blackburn. The only horn on that list that performed even remotely close to the Zeus was the Lawler 24B which is no longer made. In regard to Bachs, I haven't played any of the early Mt Vernon or New York models so I can't speak for those. But I have owned two 37s. One regular weight and one lightweight. I have played 43's and 72's also. There was only one Bach that I even remotely liked and that was a 72 with reverse leadpipe. But it still didn't play as well as my Zeus. The Kanstul Chicago was another horn that I liked quite a bit. I also have liked the Yamaha Xeno 8335RGS. But still didn't feel that either one of those played as well as my Zeus. But that is for me. I guess I am a little biased but not because I don't know any better. I am biased because for me the Zeus has been a better horn. I also don't believe that there is any horn that is perfect for everybody. That is why there are so many on the market. I have the ability to buy another horn if I want one but have decided to lay off the new horn merry go round due to the fact my Zeus plays so well for me. I also think that we as trumpet players have a tendency to spend too much time trying to find the perfect horn rather than spending the correct amount of time working on being the best player we can be. Sure.....I think certain horns make certain types of playing easier for some people. They are designed that way. But if you think about the greats such as Maynard and Miles and Dizzy and Louis and so on and so on.....then you have to realize that they started in an era where there weren't the huge dollar horns that there are now. They spent their time learning to play their instrument instead of blaming the instrument when it didn't perform how they wanted. Back in their day there weren't 500 or more models of trumpets to play. You had maybe 20 models total. Maybe a few more. So they picked up what worked best for them and went with that and worked on their playing.

I think the Zeus is an awesome horn. I think the price is unbeatable for a professional caliber horn. I also think we need to drop this subject. It is getting to the point of being ridiculous. We haven't talked much about the horn itself lately but rather what is thought of Alex and his way of handling his business. I would certainly agree that some of the comments made by Alex probably weren't in the best interest of his business but that is his right. Then again I think he may be getting tired of it all and is just becoming somewhat sarcastic. So lets talk about the pros and cons of the horn like we have every other horn on the forum and let the subject of Alex and his business tactics drop. Let the horn speak for itself.

But I do take it personally when someone makes a blanket statement saying I am biased and makes what appears to be an assessment of my ability to judge a horn fairly. I have tried many of them and liked quite a few. But I think my Zeus is just a cut above the others that I have tried. Brian Swindler

I too like my ZeuS sound a lot. The sound to me is fuller than other horns, that being that the low harmonics are strong without missing the crisp high harmonics, rather like a high end speaker, low punch plus crisp highs. It seems a lot easier to "color" the sound than on other horns. Mine is silver and I'd love to hear it next to the other finishes and hear the different tone qualities. Greg (MN)

I am still in love with my Zeus too. Mine is also the brushed lacquer. The tone is so nice and pretty. It brightens up for me when I go into the upper register but sometimes it isn't quite bright enough. I have communicated with Alex who says that others who have bought the silver plated model say it seems to be brighter. So I may buy another after this one is paid off. But I think I am investing in a flugel first. Glad to hear that others are enjoying theirs too. Brian

By the way, I want to thank you again...I just got the Bb in antique brush lacquer today...all I can say is WOW. It not only looks great, but it sounds terrific too. I played the silver one that Carl has and my new one side by side, I so far I have found them to be very consistent. The sound is slightly different from the silver to the lacquer, but that is to be expected...incidentally, neither of them sound worse than the other...both sound great, but great in different ways. I can't wait to get my C trumpet and give it a go. I have also introduced your Zeus horn to some of the trumpet majors at Youngstown State University, where I am completing my Masters Degree part time, and they really liked it as well. How much are the flugelhorns, particularly the one in antique brush lacquer? I have a student that is interested in a new flugel, and honestly, I am also interested in one. Let me know the price, and I will relay it to my student. Thanks again, I hope your holidays were enjoyable. Sincerely, Andy (PA)

I just played a gig on the new Zeus. I am completing my Masters degree in trumpet performance at Youngstown State University this spring, and this gig today was with my teacher from the university. He played the Zeus for a while as well, and loved it. He just paid $2600 for a Malone tweaked Bach C trumpet, and said that the Zeus played better than his new horn. He is going to play my C when I get it, and said that if it plays at least as well as the Bb, he is probably going to buy both a Bb and C in raw brass. He is also going to recommend the Zeus to any of his students, high school or college, that are looking for a new horn. He said that this horn plays better than the Bachs, and they don't need tweaking like Bachs do. That is great news to hear, because he is a very picky person when it comes to horns. As for the flugel, go ahead and reserve the AL finish for me. I think I will buy it from you. Thanks again. Sincerely, Andy

I have had my silver ZeuS for about 8 months. I'm still like a kid with a new toy! I just can't put it down and I continue to be amazed by it everyday! I would also like to hear the other finishes, although I have the advantage of popping down to Alex's shop and trying them out. Great to hear from other satisfied ZeuSer's!! Stewart

Sorry for the delay in posting the Zeus evaluation. After the test at Jim's house I played a gig and didn't get home until late. Then a church gig today, weekend errands and time with the family. Enough excuses, let's get to it.

I brought my 15-year-old clarinet player daughter with to be an audience for our test. Not that Jim and Bill aren't eminently qualified, but my daughter is familiar with the sounds I usually make with my '42 ML bore Martin Committee and, more importantly, cannot identify the various horns by sight. A blindfold test without the blindfold. Besides the Zeus, Jim has a plethora of horns in his studio and Bill brought his Callichio and his Schilke as well as his Wild Thing (more about that dream horn later!).

Like Jim and Bill, I am not a pro. (Far from it!) In fact, I had not played trumpet for more than 30 years until I retrieved my Martin from the attic about a year and a half ago and tried to "relearn" what I had forgotten. I play in a community concert band, an 18-piece community swing band, a church ensemble (ranging from 6-30+ members depending upon who is available), and am about to join a community orchestra. I do not make my living playing trumpet, I need to eat!

The test took place in Jim's home office/studio (previously described in his post). It was a very comfortable environment with good acoustics. The music varied from Arbans exercises to Christmas tunes to blues, "Requiem", "Trumpet Players Prayer", long tones and arbitrary "noodling".

Anyway, here's the evaluation based on Lee's format:

1. Response: Excellent. Does not require much air to get sound moving. Notes begin at the first hint of air. It was surprising to me how easy it was to perform large intervals (6ths, octaves, etc). This is something that has always been difficult for me on the Martin. Seemed a little easier on the Zeus. I'm not sure if this is what is meant by response.

2. Intonation: I brought with and used my QuickTune tuner. Much easier to control pitch with the Zeus, very little lipping required from low G to A3 (my range above that is too thin and inconsistent to be a valid test). Also checked the tuner while playing songs and found most notes in the green while playing the Zeus. Which leads to:

3. Slotting: Excellent. I was much more confident playing the Zeus than the Martin. While there was a definite "shelf" for each note it was not difficult to bend notes, but bending is limited to just a little bit.

4. Sound: Along with the confidence of the actual slotting, I was surprised at the solid and large core the sound had, at least on my side of the bell. My daughter mentioned that "the one with the black tips on the spit valves (Zeus) seemed to make the room vibrate". I understand that to mean she noticed the resonance and the full sound. The sound is bright and full at all levels. I was unable to make it "blare" or break up even at fff. Sounded full at the quietest I can play. Not shrill or tinny. Nice overtones noticed between B2 and F2 similar to my Martin.

5. Projection: The horn seems to project about the same as the '42 Martin Committee. It is not a laser beam horn. As mentioned above, it has a very solid core that seems to carry. It filled Jim's studio at all sound levels from mp to fff.

6. Overall playability: The Zeus was a little stuffier than I am used to. My Martin is a ML bore but seems to play more open than the Zeus. I was surprised at the amount of resistance in the horn when I first blew it, but easily adapted within minutes. I have only played one Bach in the past (a 1974 Strad 37). I was amazed when I played the Bach at the amount of resistance (like playing a drinking straw!) The Zeus was not that stuffy, but not as open as the Martin. Valves were fast and smooth, but seemed a little noisy. Valve springs were just the right tension and very comfortable. The horn is well balanced and easy to hold although it is very heavy. I did not notice the bell end being heavier as someone else mentioned.

7. Construction: This is a well-constructed horn. I did not see any obvious defects. All joints seemed well finished, no loose braces, saddles, etc. Slides all fit well. Overall a very solid feel in the hand. Two small scratches on the bell before the flare (probably occurred during the "tour"). This horn seems heavy! Built like a tank(?)

8. Comparison: An entirely different horn than the Martin Committee. I was not able to get the mellow, dark, velvety Martin sound from this horn, but it is probably not designed to have that sound. Seems to have the "Bach sound" that blends in the church ensemble and concert band setting. A different mouthpiece might help if one was looking for that sound.

9. Mouthpiece(s): I used a Bach 3C on the Zeus, Martin, Schilke and Wild Thing during the test, figuring this was an average, middle of the road piece. Also used a Martin 10 in comparison between the Zeus and Martin.

10. Recommendation: The Zeus really surprised me. A very good horn with a great sound, good solid core with good projection. Plays infinitely better than the Bach I played last summer. At its current price, it is an unbeatable value for what you get. This does not seem to be a horn for every application, but I would use it in church, concert band and orchestra, perhaps for solo and quintet work if I had the chance.

11. Final thoughts: The Zeus has sparked major curiosity in me ever since I heard of it. After playing it for even such a short time, I would have no hesitation in ordering one since I am currently looking for a new horn. However I had a bit of a dilemma. Unfortunately, Bill brought his Wild Thing to the test. I have never played a Superhorn before and could not understand what all the fuss about them was. Now I still don't know what the fuss is about. I was left scratching my head about the Wild Thing. The WT felt very inefficient as an instrument compared to the ZeuS. At first I thought the WT was defective. I don't know how one can play for more than just a short time on the WT or do any serious high register work. I don't know where the price difference comes in or how the WT can even be compared to the performance of the Zeus, even if they were the same price.

The Zeus does what it is advertised to do; it beats its competition at any price hands down! I sure did not mention any of this to Bill.
The ZeuS is definitely a pro level horn of incomparably better quality and performance than Bach and intended to compete against any horn on the market, which I think it does very effectively. You may very well consider this the best horn you have ever played.
I am scared to think what will happen if and when a SuperZeus is available, I'll be first in line to play it.

I am no longer in a dilemma: I no longer need to wonder if I should surrender the urge to own this excellent Zeus or do I save my pennies for a WT.
Respectfully, Matt (Chicago, IL)

LOL!! Actually, good guy, great service and great product. I sent him an email 2 weeks ago asking about heavy caps for my ZeuS, I'm curious, I have had no experience with them. He was back to me within the hour saying that they were available and that he would bring them in for me no problem. It seems that I also read in one thread that someone put Bach heavy caps on their ZeuS and that they fit perfectly. I have a hard time understanding how heavy caps can vary the sound very much and yet some TH posters say they make a big difference, not always positive, and some say no difference. Your thoughts?? Stewart

A little back ground.I've played trumpet for about 20 years. Quit for about 8 years, and took it up again about 12 years ago. I've played mostly in Community Concert Bands, College Bands, Church, a little Jazz, and a little British Brass Band playing as well. I currently play a Wild Thing, Schilke B6L ( which I found out was Jim's old Schilke from years ago), and a Calicchio 1s-2 Lite, all using a Schilke 15C4. Piccolo, Flugelhorn, Bass, and Rotary C, but not for this comparison.

1.Response: Very Good. I was caught off guard at first, adjusting from a L bore horn to a ML. For me, the resistance was a little more noticeable than playing the Calicchio, which is also a ML horn. As Jim said, "The notes are in the Horn", and I did find them.

2. Intonation: Again Very Good. Using Matt's tuner, most of all the pitches were right on.

3. Slotting: Excellent: It doesn't slot as tight as the Schilke, but some players might not like a tight slotting horn. Notes were easy to bend a small amount.

4. Sound: Very Good. It is a little brighter than the WT, but not as bright as the Calicchio.

5. Projection: Very Good. Filled the room, which is when Jim's wife left. The dog left when Matt fired it up.

6. Overall Playability: Very Good. It has more resistance than I am use to. For me, the valves did not seem as fast as I would have liked. Guess I am used to Schilke's. BUT.... The Zeus is brand new and I would suspect there is a "Break in Period".

7. Construction: Excellent. The fit and finish looked Great. As Matt also noted, the Zeus seems like a very heavy horn. I was also surprised that it has brass valve guides.

8. Comparison. I probably shouldn't have brought a WT to the party, but it's what I play almost all the time.The Zeus really did positively surprise me though. Would I trade my WT for a Zeus? NO. Calicchio? NO. Schilke? NO. But that's just Me. Would I recommend a Zeus? You Bet.

9. Conclusion: The Zeus delivers a Great Value and is hard to beat against other $2000 horns. I would highly recommend it to any player who is looking for a horn in that $2000 price range. Its definitely worth every penny. Sincerely Bill

Well the horn came today! I haven't had a chance to play it too much yet as I live in an apartment and the guy above me works 3rd shift so out of politeness I let him sleep. Anyway, when I first took it out of the plastic I wondered at it's beauty. It's a really pretty horn! The next thing I noticed was it weighs a LOT more than my heavy wall Yamaha! It'll get a good workout tomorrow in my brass quintet rehearsal and then I'll hand it off to other players in the band. I'm especially anxious to hear our lead trumpet player blow on the thing. This guy is truly sick y'all, double Cs with ease and he even ripped out a few *triple* Cs!! Until Tomorrow!

I forgot to add that it doesn't look like anyone at UPS has used it as a wheel chock or done any playing on it until I took it out of the plastic. I could see some of (I would assume) Alex's fingerprints from the photo session but I added mine right next to them.
John (FL) US Navy Band Southeast NAS Jax, Florida

Oh my gosh what a horn! This thing *plays*!! I played it all day in quintet today and I only wish my chops would have held up much. much longer than they did. Anyway, I'm going to put my comments on the testing template thingy-mer-floppy. John (FL) US Navy Band Southeast NAS Jax, Florida

Well, I had an entire reply typed up about my horn (unlacquered copper bell) and it got lost. It took me about 35 minutes to type it up (utilizing my super quick 2 finger hunt/peck method) so I'm not going to go through that again. I'll sum it all up by saying this...
This horn is the best you can get for this amount of money. It ate up everything I threw at it with a smile and was asking for more. It's built just as solid as any pro horn I've come into contact with. As per each topic of the test form, it scored an outstanding. Like many have said (myself included) it's not comparable to the super horns, but it'll blow any Strad out of the water and measures evenly with the Yamaha 6335. To put it on the line, I love it. I am a pro, meaning I make my living playing the trumpet, and I'm proud to say I own a Zeus. John (FL) US Navy Band Southeast NAS Jax, Florida

John
Wish I could make a living playing, but I took my teachers advice " Kid, Don't ever quit your Day Job". Oh Well. Hey John, does the Navy provide the Navy Band with a horn? What are they issuing these days. Regards Bill

Bill,
Yes they provide us with horns, and guess what they are...BACHS!!! Whoopideedoo! There are a few of us in the program that are trying to change that though. I think I'm going to try and get them to order a bunch of the Zeus horns now, they're cheaper and BETTER! John (FL)

I've had my Zeus Guarnarius for three weeks now and have played it at least three hours every day (In order to work, eat, sleep etc.,I have to restrain myself from playing longer.) I decided to give it a good try out before letting you know how I like it. The tone is superb - rich and full with a beautiful singing quality to it. The instrument handles well - no problems with slow valve action or sticking valves. I've had a lot of puzzled looks and inquiries about it, partly because it looks very different from most horns (mine is in antique brushed brass) but also because no-one out west has ever heard of this type of trumpet. The director of one of the bands I play in couldn't believe I could get a hand-crafted trumpet at this price. Well, I did, and I'm very glad I took the chance and sent for it sight unseen. I believe I'm the only person in Alberta with a Zeus Guarnarius but you're welcome to pass my name on to anyone who wants to see/hear/get comments on it. My trumpet teacher, Chuck Barber, once tried to explain what he ultimately looked for in a trumpet and, after some thought, simply said, "It has to feel right in your hands." Well, my Zeus Guarnarius sounds, looks, and feels great because of the quality of the design and workmanship that's gone into it.        Dr. Leith Stewart

Before you go spend the money on a Strad... Check out other makes and models. Yes what Flash said about some of "imitators" is true, *however* there are some that are much better than a standard Strad.

Here's the deal...everyone who knows Bach horns will tell to you "try a bunch and find the one that plays the best." In my experience "a bunch" means at least 8-10 horns. Think about this, if it takes 8-10 test horns to find a "good" one, what does that say about Bach's consistency? Take Yamaha for example, the 6335 series (prior to the Xeno) is a Bach "imitator" but to find a good Yamaha you'll only have to try 3-5 horns and they cost about the same. Already the odds are against Bach.

My newest horn is the Zeus Guarnerius, which is the newest "imitator." It's a direct copy of a 1953 Bach Mt Vernon Strad, which were the best Strads ever made. That only took *one* horn to try out and I bought it. PLUS LESS than a Bach Strad...brand new, with a solid copper bell. Add that bell to a Bach and you can add on another $200 at least.

If you want the name Bach Stradivarius, then by all means go out, spend the money for a new and take your chances. OR if you're set on Bach, hop onto eBay and try to find one that was made in the early 80s or prior. You'll save a lot and probably get a decent horn, plus it'll already be well broken in. Breaking in a new horn is a pain in the butt.

All that being said about Bach, let's look at Yamahas. Stay away from a Yamaha made *before* 1980, I'd say about 1985. After that Yamaha really figured out how to make a horn (which is a Bach copy) and started putting out half-descent horns. Before I got the Zeus I was a Yamaha loyalist, much like Flash and his Bach loyalties. Every horn I owned was a Yamaha heavy wall or Yamaha custom. Every one of them did not impress me. Another downside to Yamaha is they are pretty pricey just like the Bachs are. In terms of value Zeus wins again.

I'll admit I was very skeptical about the Zeus because it was yet another direct Bach copy and I hate Bach trumpets (I had too many bad Bach horns). On the Trumpet Herald there was much discussion about the Zeus and every person that played one said it was a very good playing/sounding/feeling horn. I was still skeptical until I played it myself.. ZeuS is putting out some of the top horns nowadays and since they are made in a small factory, their quality control is very, very good. I figured what the heck and ordered one in raw brass with a copper bell to try out for a bit. The first day I played on it my reaction was nothing short of "wow." It beat any Bach I've played and even topped my custom Yamaha. So, like many others will say, try out several makes of horns and find the one that's best for you. I can't imagine it will be a Strad or Yamaha, but don't buy anything until you check out the Zeus. It plays better than any Bach or Yamaha, it will last just as long because of where and how it's made, it's available in several different finishes and in many cases its cheaper!

The website to check the Zeus out is www.zacharymusic.com           Good luck and happy hunting! John

I have been using my new ZeuS Brushed Copper horn for over a month now and feel that I can fully comment on it.

First of all the horn is built solid. The construction is first rate with no solder blobs, loose joints or rattling noises. It is well-balanced and feels very comfortable in the hands. All slides move very well and the valves are quick. This is rare with factory-fresh horns and cuts down on the "breaking-in" period. This is very important for working professionals as myself. My only criticism so far is that the valve springs are very hard. I changed them for lighter ones and greatly improved response on quick passages.

I used it on a gig the very next day I received it and put it up against my great playing '93 Bach 37LRS. My plan was to use the ZeuS on the 1st set, and use my Bach on the 2nd set in order to conduct a side-to-side comparison in a working setting. If it did not hold up to my standards, I could quickly send it back and recover most of it's cost.

The gig was in a medium sized club playing lead with a top Latin band. The section consisted of 3 tpts, 3 bones, and a bari-sax. The lead part heavy upper register work, high energy solos, and unforgiving on the chops.

The ZeuS took me everywhere I needed to go!! It responded on the mid range parts with a nice centered feel and a rich sound. On the upper range parts it brightened up considerably (strange for a copper bell horn) and did not pinch notes even at double G's and A's. I played with confidence, security and even asked for a couple of extra solos to see if I could "stump" the ZeuS. An absolute pleasure to find a horn that can play that well right out the box!!

My Bach held it's own on the 2nd set (a slightly bigger sound and more projection), but fell a little short to the ZeuS on most of my comparisons.

I have put the ZeuS against some of my "super horns" and it has hold it's own both response wise and sound wise against all of them. The only exception so far has been with my large bore Blackburn.

As a working musician with 20 yrs of professional experience I have over 100 recordings, 3 world tours, 2 on screen movie credits, 20 TV and radio commercial spots, and many more TV and radio shows under my belt. Along with a decent horn collection including 8 of the so called "super horns", I consider myself qualified to rate the ZeuS.

I consider the Brushed Copper ZeuS model to be a great playing horn and an excellent choice for someone who is searching for an alternative to what is currently being offered by most retail stores. It is definitely not a blind gamble, at it's current cost it surpasses many other horns that are prices considerably higher. Both in playing characteristics and workmanship.

This is an unsolicited and un-reimbursed endorsement.       Ozzy Cardona - NY Freelance

Got my ZueS in antique brushed lacquer yesterday. I will post a detailed review per the template in the next couple days. Prelim indications are it's close to my heavy wall Yammie, but a bit warmer until I slip in the single radius .470" slide and then it buries the Yammie. It morphs from a Mercedes to a Maserati. More later. Have to get more intimate with it. Joe Krohn (Arizona)

Review of my ZueS Guarnerius in brushed antique lacquer. (With optional .470" bore single radius tuning slide)

I have not played a lot of high-level horns. As a kid I started on a Holton student cornet. High school saw me on an intermediate Holton B101 trumpet. My first 'legit' horn was a Yamaha YTR-737. I have been playing a Yamaha YTR6335HGSII as well as a '63 Olds Ambassador. Remember, this review is only comparative to the experiences I have based on the horns I have played.

1. Response:
Excellent. The notes seem to fall out of the horn at times. They are "right at the tip of my tongue." Seems it takes less effort to play it. Horn seems alive and vibrant. Like the zing you get in your loins when you nail a tee shot. When I went back to my Yammie, the Yammie felt like a dog, dull.

2. Intonation checked with a tuner and with other horns if possible:
Good. I did not check it against a tuner. The typical valve combos were sharp or flat, but nothing out of the ordinary. Some notes felt different, but I'm sure this was part of the acclimation.

3. Slotting all registers:
Excellent. Felt like it has an autopilot. I didn't find the slotting particularly over done. I could lip around if I wanted. When using the optional .470" slide, the slotting became less 'locked in', but the notes were still there.

4. Sound:
Excellent. Right in the middle as far as dark/bright. Tone is warm, centered with good core. With the optional .470" slide, all the above opens and spreads a bit, but I don't think the casual listener would notice.

5. Projection:
Good with the stock slide. A bit stuffy as some reviewers have stated, but not unlivable with. Compared to anything I've played tho it's the most open. The response seems to compensate for the stuffiness. Projection is excellent with the opt. slide. Held together in all registers quite nicely.

6. Overall playability:
This is the easiest horn I've ever played. Pedals spoke easier as well as the high register. My playable top note is a double g and it was right there when I hit it.

7. Construction:
Good. Solders could have been neater, but then I'm being picky about that. From a mechanical standpoint the horn is solid.

8. Comparative (compare it to your own horn or horns):
Far and away it is better than my previous best horn (the Yamaha 6335). I will use it for all my playing except for when I want a really warm and dark sound. My Ambassador, which is practically raw brass, will fill that bill.

9. If played with others or on gigs comments on blending with others:
Not tested in this environment yet.

10. Mouthpiece(s) used during testing: Monette B5. (Like a Bach 3)

Any other variable is welcomed to be commented on as well when you make your report:
I will probably use the optional slide all the time because I just like the way it plays that way. But what's cool is that with the two slides, it's like having two different horns. The stock crook for all around, especially legit. The .470 for when you want to let the ZueS out on the loose!!!!
This is an incredible value. Don't pass on it if you get a chance to play it.       Joe Krohn (AR)izona)

This is a review of my ZueS Guarnerius in brushed antique lacquer with the copper bell. I received this horn two days ago. The shipment was prompt and the case is very nice.

1. Response: Excellent. This horn is much easier to play than any horn I have owned or tried in the past.

2. Intonation: I noticed no problems. Very little adjustment needed on low D or C#.

3.Slotting all registers: Excellent. Just as good as my Bel Canto, probably better than the Bel Canto in the upper register.

4. Sound: I like the sound. It is different from my other Bbs. (Bach, Bel Canto, Besson) It does really remind me of an old NY Bach that I got to use a while back. I can see myself using this horn for many situations. All of my range sounded good.

5. Projection: Way above average. Better than any horn I currently have or had.

6. Overall playability: This is my favorite instrument. (And I have a lot of horns) From low F# all the way up to high E is a joy to play. I have so much more flexibility with this horn. Intervals that I have always struggled with just seem to jump out of the horn. It is very difficult for me to put this horn down. I don't remember being so excited about an instrument.

7. Construction: It looks great and feels great. I don't notice it being heavy, as mentioned by other people reviewing a similar model. It might be heavier than my Besson, but not more than my other Bbs. The springs on the valves make a noise, like a faint scrapping noise at times. I don't hear it when I am playing, so it is not a real problem. Maybe I am just being over sensitive. The valves worked well when I first tried them, but I improved them by cleaning them and applying oil that I thought would work well with the fit. I will probably work a bit on the 1st and 3rd valve tuning slides, as I like a very free movement. (not that they are needed much on this horn) There are so many features that I really appreciate about this trumpet, and I can not find much to be critical about.

8. Comparative (compare it to your own horn or horns): The valve action on my Bel Canto, Bach and Besson is better (but the ZueS is still new). I can play higher on my Besson. The tone quality on my Bel Canto might be a slight bit better (but that horn is no longer made and cost much more back in the mid 80s than the ZueS does today!!) All other aspects of the ZueS far exceeds my other horns. I will probably use the ZueS for most of my Bb jobs and probably 90% of my practicing. (I do have to practice some picc, cornet and flugal once in a while)

9. If played with others or on gigs comments on blending with others: Not tested yet.

10. Mouthpieces used during testing: I began with a Bach 3C mega. After a couple hours I switch to a Parduba 5.5 doble cup J, and kept going for another 1 1/2 hours. The ZueS seemed to really come alive when I used the Parduba .... stop laughing, I love that mouthpiece. Other: I will probably order the other tuning slide and valve caps. I can't decide on the finish on the valve caps. Anyway ....

I love this horn !!!!!                  James (IL)

I've had my copper Zeus for over two months now and have been playing it most of the time instead of my other horns. My main horn before the Zeus is my 1969 Olds Recording. I picked up my Recording today to run it through a few riffs and I was amazed that the sound I've gotten used to with my Zeus was not there. It sounded pale and whimpy. Don't get me wrong, the Olds is a great horn, but the Zeus sound is 'Balls to the Walls' over my Olds.
Thanks again,     Dan Burton

Alex, This (Zeus antique brushed brass lacquer) is EASILY the most beautiful horn I've ever seen.
Eric (ZeuS owner MD)

The ZeuS G is a great horn! much bigger sound than I expected from a 459 bore.    thanks,     Elmer (IL)

Dear Zachary Music, First I would like to tell you about 4 months ago I was able to see one of your ZTR 900 pro trumpets, and it was an amazing instrument! A friend of mine had one. I had sent another friend to you, I am not sure if he purchased a trumpet or now, but they are awesome products!
Keep finding the best horns on earth to put your name on!
Graham Golden,   (Owner, G.R. Golden Distribution, NM)

I really feel that the Zeus Guarnerius trumpets are great horns, and say that first as a trumpet player, having tried probably at least 25 horns before my last purchase.
Mark, (MI)

I'm looking forward to showing these horns off everywhere I go.
Thanks again for a terrific instrument that plays better than any other B-flat I've owned to date!!!
Clifton Oram (Kaysville, Utah)    cliftor@mindspring.com

I have a Zeus900 polished brass horn that I bought from you late last year or early this year.
I'm just totally thrilled!! I've renewed my interest in the trumpet and in music in general after being out of it since the 1060's. I've been a featured soloist at my church on Palm Sunday and Easter Sunday already, and I'm starting to do old dance band tunes all over again. I play almost daily, unless there are preventing circumstances. If they'd had instruments like this when I was a kid, I never would have stopped. I like my horn so much I would probably drive all the way to your place if that was the only way to get one.
Danny, TX

Hi Alex, This is Clifton Oram in Utah. I just have to let you know what a great time I've been having with my new ABL Zeus G! It has been a terrific experience. I have had the opportunity to play many different Bb trumpets in my 23 years of playing professionally, but I can honestly say none have played better than this new instrument! The majority of what I have played since receiving it has been big band work. In the ballads the trumpet has a beautiful mellow tone, but when I play lead it really opens up with a huge sound. I can change the tone and mood of the horn with ease. I have also spent some time playing some orchestral exerpts, and some solo and etude time as well and I couldn't be more pleased on any of those fronts. This is truly a remarkable instrument that people should know about and you can quote me on that!!!
CLifton, UT

This is a funny one:
To take it to the absurd, parts could have been made in China, then assembled in the U.S. by part-time immigrant field workers coming in from a hard day in the sun. You see the problem? Best wishes, Rande

Hi Alex....I appreciate your patience with me. I hope that when the time comes for me to buy another horn that we can do business again. The Zeus has been one of the best horns I have ever played. I hated having to part with it but financial considerations forced me into it. Please let me know about buying another horn.    Thanks, Brian

Hi I just received my Zeus 900 and am thrilled !!!! Well, I bought one, and it is EVERYTHING I had hoped for. It is the easiest blowing horn I've ever owned and can't put it down. Thank you for your inspiration. Sincerely, Richard - Connecticut

I'm thinking about going out on a limb and buying the ZeuS G sometime in the next month or so. I'll probably do the credit card ... half down and the rest over 5 months. I'll also probably pick up the extras for the horn as well. If I like it I will start recommending it to my students and other Band Directors in my area. I am looking for a replacement horn for the Bach line. I tried the Bach 37 with the reversed tuning slide and it was awful. Actually the one I played was worse than the student line Bach Trumpets I have my beginners start out on in the 6th grade. I'm leaving on vacation next week and will wait until the last week of June to make my final decision. Thanks again ... you seem to be a real gentleman dealing with me. If my funds were better I'd buy the horn from you tonight.     Joe (TX)

I've had several offers for a trade for my horn from my fellow pro and semi-pro trumpeters. I've been offered to trade my new horn for Bach 37's, Bach 43's, Schilke 3x's, Yamaha Xenos, Yamaha Booby Shew's, and others. I nicely refused. I even sold my '69 Olds Recording because I wouldn't play it anymore. My horn is a ZeuS with a copper bell (lacquered). This IS the best horn I've ever played.   Dan Burton

The Zeus is a great player and very well made. The tone is thick and the response is amazing. I liked the valves and the Antique brushed brass finish makes it look like a Chicago Monette. Jazzman

The Zeus Guarnerius-GREAT horn!!
Ok, I know that there has been alot of talk about this horn on this and other sites, but I have to post my review of this horn for all of you TPOer's. I managed to pick up a 900 in the antique brushed brass and have been spending many hours in the practice room with it and also, on the bandstand. This is a great trumpet. as you have read, I have played almost everything out there and this horn is right up there with anything that I have played. The tone is rich and fat and when you step on it, it really sings. It is heavier than a Bach Strad and made very well. I have played many Mt.Vernon trumpets (the horn the Zeus is based on) and to me, it feels close to them. The intonation is perfect on this horn. I have found that the center is very easy to find, as it does not "float around" much. It slots very well and the response is outstanding. For anyone looking for a great horn on a budget, the Zeus really does fit the bill. I like this one so much, that I think that I might hang onto it! The valves are really nice as well. I am going to order the .470 and the .464 slides from zachary music and post my review of the horn with the slides here later. I am telling you, the Zeus really is an unreal deal. I have to admit that I was skeptical at first, but now that I have played the Zeus, I understand what all the hype is about. I played this horn last night with my jazz quintet and it really locked with the tenor player. The Zeus felt great in the jazz arena and really suits the music. I have yet to play it in a brass quintet, big band or salsa setting, but from what I can tell, it will do just fine. If I had to choose between the Zeus and my Bach 37 on a jazz gig, the Zeus is the horn that would go out the door with me...... Jeff (BC)

Not at all surprised to hear that - with all the discussion over on the TrumpetHerald forums over the past several months - I'd say it's about time..... Loads of free advertisement powered by much intense debate, discussion, and controversy..... This always does wonders for fame and fortune.....Dave H

You couldn't be more correct about the Bach (37). I just sold the one I had since 1972. It did blend well in a quartet or a brass section but when I started really pushing it,. itwas a dissaster, the sound started to break up. Truthfully, I was always fighting that Bach stuffiness.i was tryng to get the Bach to do something in my oppinion it was not made for.  The Zeus seems to take care of all the shortcomings of the Bach, its a very good product you have.   Roger

Hi my name is J. Thomas. I am a trumpet player and I met a guy the other night, played on his Zeus trumpet and I was quite impressed. I only had a chance to play for just a tiny bit but I would like to try one, I am definitely in the market. I am here in Seattle. Can you give me a jingle? Thanks.

Another funny one:
Dear Manager, While I would love to be in a position to purchase a new horn, at this time my budget is extremely tight. I can only afford to try and make my present horn (Bach 180-72 that feel like a sock is stuffed inside!) play a little better. I am interested in purchasing a .470 bore tuning slide to improve the feel of my horn; will this tuning slide fit my ML(.459) Strad? Any input will be greatly appreciated. Thanks for your time.    Regards, Dan

Alex .... My 3 day demo period has finally expired after purchasing my ZeuS G Silver Trumpet! I have some very bad news for you friend .... "You won't be getting this horn back!" I've enjoyed playing the horn and it's every bit a fine as by Bach 180-37 and Benge 3X ... actually the sound is a bit warmer and the response is outstanding. The tuning is better on the ZueS than either the Bach or the Benge. I'll also be interested in your upcoming Jazz Horn. Thanks a bunch for the great horn,     Joseph (Texas)

Hey Alex,
Glad to see that you're still giving it to them on TH!! I hope all is well. I like the look of the heavy caps and new tuning slides. I'll have to order some for my ZeuS!! I'm still blown away by the quality of this horn every time I pick it up. Keep up the great work Alex, it is always a pleasure dealing with a professional like yourself. Stewart (Ottawa, Canada)  

Alex, I bought a flugelhorn from you almost three months ago - a ZFH 900 ABL. Needless to say, I was pleased. I'm seriously considering retiring my 30-year-old Bach Strad now, and well, where else would I look first? I'm interested in the ZTR 900 AWB, brushed raw brass. Do you have one of those in stock, and if not, do you have a projected delivery date for more?   Thanks, Brent

Hello again Alex,
I know one thing for sure, I have been playing more and better than I have for years since I got my ZeuS. Two weeks ago I was asked to play with the orchestra during live broadcasting for the North American Church of God Convention. We played some ripping tunes. Some big band numbers and some salsa tunes. In other words, some pretty unconvetional church music. Me and my ZeuS were all over it. There were 7 trumpets. 4 had Strads, 1 Monette, 1 Blackburn and 1 Zeus. They all loved my horn, the sound and the looks. Anyway, I was playing 1st, live on TV, screaming on my ZeuS. It was awesome. Thanks again. Thank you Alex for re-igniting my torch.
Sincerely, Dan

Excellent. Needless to say, I'm looking forward to becoming a "Zeus-a-phile." One more week and the Strad becomes a hand-me-down for the wife. Best, Tim (CA)

Every time I pick up this new horn and play it for 2 or 5 minutes I put it down and say out loud to myself "what the hell is going on here?". This Zeus is really a great trumpet and that is it! I am going home now (to practice). Sean (NJ)

I am writing to highly recommend the New Zeus Trumpet. As a trumpeter who makes his living solely from playing gigs, I have had the opportunity to play on so many of the different models available in the market today. The Zeus horn competes with them all, and is considerably stronger than most. It has a wonderful response and an even sound in all registers. Its intonation is wonderful throughout the entire range of the horn. It is obvious to me that a lot of care went into making this instrument, and the result is great.

I use my Zeus in so many different situations, from jazz (my primary work) to rock and blues gigs, I have even performed classically on the horn (not my primary work) and in every case I was happy with the horns performance. In addition it's price is the most reasonable around. Does anyone else remember when a new Bach trumpet was under a thousand dollars? I do, and nowadays, it seems like horns are getting soooo expensive. The worst part of this is that in many cases the quality has diminished over time. I am so confident in the quality of sound and intonation with my Zeus, that I will be using it on my new record on the Jazz Factory Label, which will be coming out in the late fall (2003) I would encourage anyone interested in a great horn for a great price to check out Zeus horns, they are truly something special.
Matt Lawson   (Louisville , Ky)

I have enjoyed the information on your site and you certainly did a good job of convincing me that this is the trumpet I need.
I was hours away from buying a Strad 37 when I found your site.
I am glad I did.    Thanks, Karen (IN)

Recently I bought a Zeus Guarnerius, it was very slightly used and I like it very much. I let my instructor, who plays for the local symphony and we play together in a big band, play the Zeus. His words were "this really sings in the upper register". He thought the lower end was nice and thick as well. He looked a bit embarrassed comparing it to his 4000$ Blackburn. I hope he does not read this. Sorry for getting off the subject but I do like the Zeus better than my Strad.      (trumpet forum)

I got my ZeuS at the end of July. So far I've used it on about 10 gigs (I'm a weekend trumpet warrior) and I'm very pleased with my purchase.    Rich (PA)

I like my ZeuS G and have since the first time I played it. I recently played horns at the Texas Bandmaster's Convention in San Antonio and my ZeuS hangs in there with the top names on display at the Convention. Joe (TX)   Just a guy who loves Trumpet....

The Bach trumpet is not named after God's servant, J.S. Bach, it's named after it's creator, Vincent Bach and the "Stradivarius" part comes from being compared to the Stradivarius violins made by Antonio Stradivari and his family in Cremona, Italy, in that they are/were the best trumpets that can be had, and created by a true master of the craft.

Guarnerius is the name of other famous violins made by the Guarneri family, also from Cremona, and those violins are heralded today as being second only to, and some would say they are better than, the Stradivarius violins. In my opinion, Alex had a very clever play on words for anyone that takes the time to look it up. Google.com. It's a wonder to use. all you have to do is type "Guarnerius" into the search bar and you will see what I'm talking about. As for the playability of the ZeuS Guarnerius trumpet, we've been through this before. They have been play tested and posted about for their merits as a trumpet and have not been found wanting. In fact, to those that have played them and to those that own them, most would conclude that they are worth every penny paid, and some say they are a steal for the money. BT

A couple weeks ago we took a family a vacation to the Detroit area to visit the Mowtown Studio, the Ford Museum, Lionel Train Factory, etc. Part of the reason we chose this area for vacation was its proximity to Windsor, Ontario and Zachary Music. After reading all the ZeuS wars on TH, my curiosity was piqued, so we planned a nice vacation and I got to try out the infamous ZeuS.

I called Alex a few days ahead and stopped by his place to test drive a couple ZeuS Bb trumpets. I found that Alex does not have cloven hoofs, horns growing out of his head, or a pointy tail. I did not get a rash after shaking hands. He's a very nice fellow and is very confident and proud of his product.

I played a couple horns (we had to cut open the sealed plastic bags….the horns were all perfect) and found that the ZeuS with the copper bell, copper lead pipe and brushed, lacquered finish really pushed all my buttons both musically and visually. It played best for me with the optional single radius tuning slide. The horn sounded big, rich, dark and focused. Even my wife commented on the roundness and fullness of the sound. The slotting and projection are noticeably more pronounced than my other trumpets (Xeno 8345S, Getzen Eterna II, and Holton ST302). It is a joy to play. I look forward to my time working out on the horn. My range increased and I'm a more accurate player. That's probably a result of the horn itself AND practicing more because of the horn.

About 10 years ago, when I didn't have the money, I played an exceptionally good Bach in a local music store. Unfortunately, I couldn't buy it at the time. The memory of playing that Bach has haunted me ever since. This ZeuS plays as good as or better than that exceptional Bach, at a much lower price. I knew that I was playing a keeper after the first couple notes.

On a few of the gigs I've had since I bought it, other players noticed the ZeuS because of the brushed finish and copper bell and asked about it. A few of them tried it. Without exception, all were impressed by the sound and feel…and yes, the look.

About 3 months ago, after trying many horns of many brands and models, I bought a new Xeno 8345S, with the intention of it being my retirement horn. It is a nice playing horn, and, if I quit looking, I would have been happily using it with no second thoughts. Encountering the ZeuS messed up my plan. Luckily (unluckily?) I had to return the Xeno because the lead pipe was badly pitted on the inside after only 2 months of use. When I returned the Xeno to the music store for warranty repair or replacement (Yamaha has the horn now but hasn't decided what to do yet), I took the ZeuS with me for the store's brass repair tech to look over. He was impressed with the fit, finish, construction, valves, etc., and he loved the way it played.

When I get the Xeno factory repaired or swapped for a new horn, I'm putting the Yammie up for sale. I'm not trying to sell horns for Alex. I'm just an extremely happy, proud ZeuS owner that wants to share my story. I actually played a ZeuS, liked it, bought it, and can speak from first hand experience that the ZeuS is a high quality pro horn that plays exceptionally well, IMHO. Rich (PA)

My daughter's new music instructor is a professional trumpet player. She told me he loved her trumpet so much that he invited a fellow trumpet player over to give it a try. I gave the web address to her to give to him. Sounds like he may be making a purchase. Terri (TX)

Alex - I played the trumpet last night and I will say that I am a little disappointed in it's performance. It seems like every note I played continued to sound beautiful with no change . It never wavered and didn't even thin out in the upper register but actually had just the right bite to take it up there and feel like it wasn't work. I need a horn that makes me work more and doesn't sound so beautiful with every note.... Gotcha. I am totally impressed and in love . I think it blows terrific. I am excited to represent such a piece of art. I look forward to playing the flugelhorn tonight. I'm leaving for about 4 hours but will be back tonight and play it. I will look forward to adding your horns to my life and getting them in the hands and lips of many others. Let's keep moving towards the "Super Horn".
David "ZeuS" O'Neill

I recently got this ZeuS G. trumpet in the Raw copper brushed edition and I love it, and since it's made by a great company which I know who it is, you know it's a top quality product and a good design, the valves move great, the slides are nice and tight and the fit and finish is outstanding. A truly pro horn in the top league, dont let the low price mislead you. The tone quality is big and thick, projects well and it makes high notes almost seem like nothing to play. I also got the round slide and heavy caps and I can trsmform the instrument to ahve a different character. It is a very beautiful instrument and as well as pleasing to the eye it's pleasing to the ear. I'd recommend this trumpet over a lot of other brands such as Bach, or schilke which are considered top of the line trumpets but are no better and in the case of Bach worse. The price on this trumpet is great so i suggest you buy it if your really a serious player, I've been playing for 22 years since grade school. Bob C.A.

The (ZeuS AS - Antique Silver) trumpet is here, the boy is ecstatic!!! I thank you very, very much. Sincerely, -Tomasz (NY)

We received the Guarnerius trumpet this afternoon. Two minutes after opening it my wife declared there would be no need for a 3 day trial period. Thanks for a great experience. We'll definitely let others know about your site. -Keith

The Zeus Guarnerius is a fantastic addition to the world of trumpets. Rarely have I played a trumpet that performed and responded with such ease and accuracy the first try. What is equally amazing to the beauty of these horns is the price. This is by far the best horn out there for the money. I am both excited and proud to endorse and play these beauties!!
David O'Neill Recording Artist / Trumpet Soloist

Alex, I just thought I would write to let you know I am happy with the horn. I haven't got a single complaint. Thanks Scott

Just a short review of the horn we bought........
I just wanted to let you know that Peter has just completed the Region 19 Orchestra tryouts at Bonnett High School, Texas. Peter placed 4th overall out of 503 contestants. For his own school district he has made 1st chair for the Humble ISD. Of course a lot of practice was involved and he did well. (He now plays at all football games and in general has a good time....)

We both feel that his new horn played a significant part in his recent success. Now that we have had the horn for some weeks I would like to say that Peter is quite pleased with the horn and that it was everything that was advertised and then some. The instructors had all "steered" Peter towards the Bach at a particular Music dealer and it was difficult for me to convince Peter that this horn was as good as "The Bach". Obviously my own interest was the $$$ savings this horn represented. These same instructors now begrudgingly admit that this is indeed a fine horn. (**No freebies from the music store program from this student)

Peter now displays a particular pride with his "unique" horn, and its obvious he holds his own with anyone in his age group. My own non-musical opinion....... Sound is excellent. Far better and noticeably so than some of the other horns when Peter plays within a group. I can consistently pick out his horn everytime.

Fit and finish is superb. Silver plating was flawless with no discrepancies anywhere. ( I got tired of looking for one). The case it comes with is very sturdy and sufficient to protect the horn from the inevitable knocks of traveling within the band. Thank you for your assistance in choosing this product. It is a decision we both feel comfortable with. We were both apprehensive (especially me) about a purchase such as this from a mail order perspective. Please feel free to give out my email address if anyone requires references on this product.
Respectfully,    Ray   (Kingwood, Texas)

Alex, - We received the horn and the accessories and my daughter is thrilled. We had her Assistant Band Director (and a very accomplished trumpet in his own right) play it for her and he was impressed. He also had a colleague that is an outstanding trumpetier play the horn against several other horns and the only thing that they could find fault with was the slightly noisier metal valve glides. Both of these two gentleman tutor many students and currently refer many of their students to retailers selling the Bach line and are at the mercy of inflated prices. I am so far very impressed with our purchase and would love to refer more business to you if possible. Thanks, Kirk (Idaho)

I got my Zeus G with brushed lacquer finish over a copper bell and leadpipe. I LOVE it. It plays soft and pretty when I want thanks to the copper bell and can get as bright as I need in the upper register. I never have any problems up high. Our lead alto sax player in the big band that I play lead in said that she thought the trumpets sounded way better than usual. This was the first rehearsal that I had the Zeus. My son is a high school player and had all his buddies at practice last night. They all wanted to play it and all agreed that it played better than the horns they were playing on. Most were on Bach 37's. A couple were on Yamaha. One had a Conn Vintage One and one had a Holton MF Horn ST308. The only horn in that lot that I felt could hold its own with my Zeus was the Vintage One. This is the second Zeus I have had and have not had any problems at all. My sound is more broad and pretty than I have ever had before. Typically my sound is too bright. That is why I steered away from the yellow brass bell. I use a Schilke 14A4 mouthpiece at present. Typical of most trumpet players I am always prone to trying new mouthpieces. But the Schilke works very well with the Zeus G. Maybe due to the more open backbore. The 14A4A is a little tighter. I find that if the horn is a smaller bore that a more open mouthpiece works better for me. Brian

Your web cunning got me. I can't find a flaw in your arguments regarding the manufacturer or marketing approach. I'm not connected to any dealers in the UK but I'll ask around for potential Zeus dealers.
After my 2 hours on friday and 30 min each day the trumpet just keeps getting better. I'm amazed how I can lazily hit notes after such a short time. I look forward to going back from work just to play.   Dan (Canada)

Dearest Gents and Ladies, I somehow ended up at one of your representive web sites and eventually have the lacquered/polished trumpet. Michael in Texax was most helpful and informative. In my early twenties, I first took up the trumpet and actually carried the instrument to Vietnam and back. The Conn eventually ended up in a pawn shop and I never retrieved it. It has now been 38 years since even having a horn in my hands and am what you might call a very late comer. I may never be top notch but you just can't imagine the excitement when I first had the ZEUS G in my hands. The feel and virtual beauty of this fine instrument is all the inspiration I will ever need. You know, I never place much seriousness on dreams but a couple of weeks ago I dreamed about meeting Louis Armstrong. I asked him to put my new Zeus through its paces and golly did he ever. He told me that the trumpet was nicely even with rich overtones. Now can you beat that?
George (Garrison, Ky USA, Lewis County)

Alex, Thank you for your help in making my Zeus purchase. I received the trumpet on Tuesday, and, throwing caution to the wind, played it on my gig that night. I got many oohs and aahhs from the other trumpeters in the band when I pulled it out of the case. The brushed lacquered finish looks great. But of course looks are not the test of a good horn, sound is. Let me tell you everyone including myself was impressed at the sound of the Zeus! My main axe is an older Elkhart 37, and the rest of the big band trumpet section all play on Strads of some permutation. I was able to blend in easily on the section work (better intonation than my 37), and when I pushed the horn on solos I easily cut through the band with a full sound that was bright and edgy.

The sonic range of the Zeus is a hoot to play with! Playing softly I can produce a tone that ranges from warm and airy to clear and precise all with accurate attacks that I'd been missing on the 37. But when pushed the Guarnerius bites and projects like nobody's business! All notes are secure and there are no glaring intonation issues. I think the Zeus combines the best of the Bach and Yamaha worlds: the accuracy and smoothness of the Yammies with the sound and color palette of the Bachs. There is a tiny bit more resistance to the blow than my 37 but I think that actually helps with the surety of attacks on soft entrances and placement of pickoffs in the upper register.

Kudos on a new entry into the upper echelons of the trumpet makers world. And thanks for the easy payment plan. I intend to try the copper branch flugel once the last payment is complete on the trumpet.

Freddie Dunn
3rd trumpet-Eubie Blake Legacy Band,
Soloist-Fertile Ground,
Lead trumpet-New Volcano Ensemble Bandleader,
Instructor, Freelancer, Clinician

Hi Alex, just writing to let you know that the ZTR 900 ABL (which I received today) is absolutely PHENOMENAL!!! I just picked it up and started playing and I was simply amazed at how great it was. Originally I was somewhat doubtful about the glorifying testimonials posted on your site but they are absolutely 100% true!!! The Zeus is the greatest instrument out there. Nearly instantly my sound got richer warmer and generally better in every way imaginable! Tonight I will be playing for midnight mass at my church and I can't wait for everyone to hear how great the trumpet sounds. Thank you sooooo much for sending it!!! I know it may have been a little off procedure so my deepest thanks goes out to you for that trumpet certainly made Christmas great :)   MERRY CHRISTMAS.
Sincerely, Mike Good (PEI) Canada
P.S you can be assured that I will try and promote this instrument as best I can so you may get some more business from "the island"

Alex, I'm sending this message in hopes that you will consider using it in your testimonials for the Zeus Guarnerius trumpet. I received my brushed copper bell Guarnerius last Friday and used it to play a solo at a church Christmas program on Sunday morning. Aside from being ecstatic, I can't seem to find the words that would give proper credit to this horn. It plays easy, centers perfectly, sounds spectacular, and I don't believe there is a trumpet on the market today built with a greater level of quality. If that's not enough, the brushed & lacquered finish makes it one beautiful horn.

A friend took my new Zeus horn home with him last night and spent time comparing it with his (brand omitted). When I spoke to him today, he replied simply that he couldn't identify anything about his horn that was superior to the Zeus, and he added that he doesn't understand how anyone could offer a horn of the Zeus' quality for the listed price. I don't believe he will be trading in his horn, but after his comparison he was quite disappointed that he had spent so much more money on his horn! Ha!

I am not a professional trumpet player, but I am serious about my music and I certainly know the difference between an average trumpet and an outstanding trumpet. The Zeus Guarnerius is an absolutely wonderful instrument and I would challenge anyone to find a better horn at anywhere near the same price. My endorsement of the Zeus line of trumpets may be meek compared to others, but you have it, cheerfully!! Ken Watson (Assistant Chief of Police) Springdale, AR

Hi Alex-- Thanks for shipping so quickly. I've had some fun with this horn. I really like this horn. It has some great qualities. I just wish it came with a reverse lead pipe option. I did a couple of "blind tests" this past weekend during rehearsal breaks--here's the results:

Test 1: (Classical) We had the 1st trumpet guy play the same passage on 4 different horns--his 1970's Bach, my 1970's Benge, a new Yamaha Xeno and a Wild Thing--he played the same passage at the same level and had the Concert Master evaluate for sound, intonation, clarity and projection.--- The "Zeus G" won across the board. (The trumpet guy said he could tell which horn was his Bach--but wouldn't say in which order he had his own horn--typical Bach guy)

Test 2: (Jazz Ensemble) I blind-folded myself and 2 other trumpet players and we each played several different horns on a favorite part--from a song of our choosing--- We all picked my Zeus as the favored horn!!

You've created a great horn--no doubt about it. I am completely satisfied. The valves/slides and craftsmanship are great!
Best regards and THANKS for making such a GREAT horn! Gordie, TX

I am thrilled with the looks of the ZueS Guanerius (RL) copper polished trumpet and flugelhorn together in the same case, both with pearl valve buttons. They are both terrific instruments and your customer service is greatly appreciated. Thanks again, Richard Lamperelli - Connecticut

Thanks so much for your help. The trumpet is magnificent. Plays like a dream. The ZeuS 900 ARL rocks! The styling, design and finish all proved to be in excellent tiptop shape. I couldn't have asked for a better-looking horn. As far as the performance of this horn goes, it never shied away from the challenge from double high C down to low F. The intonation was bang on and the power I was able to attain was enormous not to mention the projection. It far exceeds any model trumpet I've ever played. The ZeuS 900 Series in my opinion is the best trumpet I have ever played. It features a beautiful rich sound but can get as bright or as dark when you need it to. Many thanks for my 'new beauty'!    C. Holloway (OH)         

Alex, Sorry it took so long to get back to you but I just wanted some time to have a few people try this, what I like to call, BEAUTIFUL TRUMPET , a test run.
As you know I play in a local band and the Director of the band has taught in both College and High Schools, he also plays in a Symphonic Band here locally and with a Veterans Band in another city along with being my daughters person instructor, now that you know this man is a serious musician and instructor and knows his instruments, he play tested this trumpet for me and was very impressed with the sound it produced. He looked at the brand of the trumpet and just said "I cant believe I haven't heard of this brand before". He plays a Schilke trumpet and says this trumpet sounds every bit as good as his trumpet. I also had my daughters band teacher play test it and the thing she was most impressed with was the "Warm Sound it had and the craftsmanship" .
This trumpet is the best investment I have made yet , I just cant wait till I can get my Bach Stradivarius Trombone sold so I can get the same quality instrument as my daughter has. THAX . Jim (MI)

I pulled the Zeus right out and played it for a rehearsal, and it was absolute heaven, it seemed. I played in tune with a lot less effort, and getting up around G and A on top of the staff wasn't as air-intensive, it seemed, as with my Bach. I tried your tuning ideas and you were right. The tolerances on the Zeus are MUCH tighter than on the Bach.    Ben (KY)

I am a comeback player who has owned a Model 37 ML bore Bach Strad purchased new in 1979 recommended by my private lesson teacher/Band Director. Recently I had the opportunity to play 3 Bach Strads back to back with mine, 2 model 37's one from the mid 1980's one from the late 1990's and one 43/72. My horn was by far the worst from the bunch, the 3 other horns were all very free blowing in all registers and the notes seemd to have cleaner attacks. My horn was "stuffy", seemed to have more resistance especially above and below the staff and was difficult to tongue cleanly.

So the search for a new horn started, I searched ebay, read the forums and found out that the TMEA conference was coming up and decided to go and try out some new horns. I spent the day blowing on a bunch of horns and liked the way many felt, It was difficult to tell about sound because of the noisy surroundings. I liked the Schilke's, the Getzen's, the Zeus, the Edwards and even the Bach's. It was a tough decision but I ended up ordering a Zeus 900 with the copper bell and leadpipe and the heavy valve caps. The horn played much better than I remembered from the conference, it is very free blowing and has a great tone. I also ordered the rounded tuning slide and am anxious to receive it to see how this affects the way this horn blows. I am very happy with this horn and for the money it's tough to beat.    Dave (TX)

Ps. I started a regular gig and my Church and the old Trumpet player was using a Bach Strad. When I went for the audition on Saturday with the Guarnerius, they were amazed at the sound of the horn. I don't claim to be a professional, but this horn really made them think I was! It was bright and full and filled the Church like nothing I've heard before!!! Just thought you might like another pat on the back for this thing!!!! (Like you don't get enough already!!!) :) I'll be waiting to hear from you! Thanks! Mike Burke, NJ

I had a similar issue with my Bach 37, it seemed harder to play above and below the staff. I tried 3 other Bach's, two 37's one 43/72 and none of them had the same problem. They all seemed easier to play than mine. I tried different backbores and it didn't seem to make it any better. I started looking for other horns and tried a few different brands and ended up getting a ZeuS. It plays great in all registers. It plays and sounds better with a tighter backbore on the mouthpiece than the Bach. Maybe a valve job would help my Bach but I will probably just sell it.    Dave TX

I have watched the ZeuS story unfold since the beginning and have stayed out of it simply because I had not tried a ZeuS horn and had no basis to make any type of intelligent comment. Up until now that it. Last week I had an opportunity to try a copper belled and leadpiped ZeuS G. I'll tell you what, that horn played beautifully, had a terrific sound and gave my excellent Vindabona a real run for its money. The Vindabona was a bit more open above staff, but from low G to G just above the staff. I actually preferred the ZeuS G. I personally do not want a "cookie cutter" horn with little or no personality of its own. I will search for the right horn and I was extremely surprised to find the ZeuS I played did indeed have a "personality" and to me anyway, a likeable one at that. I am not in the market for a new Bb right now, but when I am, the first look see will be at a ZeuS G. These horns are very good and well worth the affordable asking price. If you can find a terrific instrument and put the savings in your pocket, why not do it?    Richtom

I tried the Zeus G in brushed copper today. It's an interesting looking trumpet. The sound was excellent, very clear and rich, excellent projection, easy to play, slotting was great, construction looked good and it stayed in tune up and down the register. Easily hit the high notes and the low notes were very clear, not muddy. Valves were fast, response was excellent. That particular model didn't have the sound I'm looking for, (a little too warm and broad) but, for the money, it definitely is worthy competition to the other pro horns out there. I tried it with the square and the rounded tuning slide. I liked the round one best - more open. I liked it better then the xeno or my 6335HGSII. I think it compares very well to the Bachs I tried, maybe, even better. It was nice, very nice. I'm going to continue trying other brands, but the Zeus is definitely on my list of top contenders. And the price makes it very tempting.   Trumpet Mom (IL)

I have already told you once, try the Zeus Guarnerius if you like Bach. It is twice the horn the Bach is and a much better value, you can have the ZeuS G with a refular and a rounded large bore tuning slide. You need to go to www.zacharymusic.com and check these horns out. If you don't try the horn it will be your loss. The Zeus horns are about to make an impact on the trumpet world that will freak some conservative trumpeters out. You can get these horns in raw brass, brushed lacquer, silver, lacquer, brushed silver, etc... Try one, if you don't like it you can send it back. But, you wouldn't send it back and you won't look like every other trumpet player whose mom bought them their horn in high school. Zach (AL)

You ever notice how when you walk into a music store the only "pro" trumpet hanging on the wall is a Bach strad for over $2000? I can't remember what the reason was for the valves not being oiled until you are serious about it. I'd love to see a Zues hanging there for comparison. Zues obviously it's a player. I've loved every ZeuS I've ever played.
What I really wanted to say was take a tour of the factory. I did and it was unforgettable. All the horns are lovingly produced and those guys handling them don't even look at the bell labels they just do what they are paid to do. Dozens of beautiful horns in different stages of production standing in rows waiting to have another component added to them. And those Zues' were lined up everywhere along the production line. Looking real pretty and serious.
Mark,    Riverside, CA

Hey man, So I shared all my horns with the boys tonite, they love 'em. Asking if their poor college kid souls can get discounts and stuff. I told 'em sorry boys, but it's worth the money. lol. Basics: The "C" Guarnerius slots like no other, has a great sound (a lil bright for some but you can't please em all). The "Bb" Guarnerius was just outstanding in all respects. Flugel, hands down the best they've played. Man... I just cna't wait until that Piccolo.. grrr. I'm impatient. lol. Take care. Thanks for your hard work.   Tim (TX)

First wanted to let you know how much I've enjoyed playing my ZeuS for the past several months. As I mentioned before, I happened across a used ZeuS Guarnerius (ZTR900) online. I'd heard good things about the horns, but had never played one. I don't know what made me do it, but I took a chance and bought it, and I'm really glad I did! I loved my Bach Strad and played it happily for many years, but I actually just sold it - it hadn't been out of the case in months!

The ZG is great as it comes for most of the playing I do in big band, R&B, and Latin groups. It has great projection, a solid core to the sound, and can easily be heard through the rest of the band, no matter what the setting. I really like the fact that I can push as much as I need to, and it will produce a bright, full tone without sounding overly thin or shrill, like many "lead" horns can. The valve action, slotting, intonation, and everything else about the horn are great as well. I also wanted to say "Thanks!" for the rounded tuning slide and heavy valve caps I ordered from you. The caps add even more to the solid tone and great projection, and the slide really opens up the horn, giving me a fuller, darker, warmer sound that's great for my small group jazz and classical gigs. With these additions , this horn is the only one I need for most any playing situation.

On just about every gig that I've played the ZG, someone has mentioned how great they think it sounds, and once they play it, they're even more impressed! I've been recommending the ZG to anyone in the market for a new horn - especially considering the relatively low price, it's a great deal on a great horn. Myself and others who have played it agree that it's better than any Bach Strad they've played - a friend of mine who swears by Monette horns even conceded that he liked it! I've never had the desire or money to try any of the "superhorns", but I'm sure it compares favorably to them as well. My 18-month-old daughter is easily taking up all of my extra income at the moment, but I definitely want to check out a ZeuS flugelhorn and an Olympus as soon as I get the opportunity!

Thanks again, Tim Perdue

We have been in the market to purchase a trumpet for our 14 year old son. After "test driving" numerous instruments, his private instructor brought in a Zeus he had borrowed from a friend. Let's just say, we stopped looking further. Thank you. Jon and Beth (CO)

Alex, I've been playing your Zeus G for about a month now, and it is the best horn I have ever owned. It plays better than my 15 year old Bach. My trumpet teacher, who plays with the symphony here in town was amazed at how nice the horn is and is shocked by the price. One of his friends called me today and wanted to try my horn. After playing it he said he is going to order one today. Sincerely, Tim Pierson

In January I had the opportunity to go with my sons high school band to the Missouri Music Educators Association convention at Tan-Tara. My son took my Zeus Guarnerius to play with his band. While we were there we took it, along with several of his trumpet playing friends to the display room to try it out against other horns that were there. 3 of my sons friends were with us who are all going to college on scholarships. They all played the Zeus Guarnerius against all the other horns being offered that day. These horns included Yamaha, Conn Vintage 1, Bachs, Holtons, Benge, Besson, King and Leblanc. All of the people that tried the Zeus said that it played as well as, if not better, than all the other horns being offered that day. Oh yeah, forgot to include that this also included the new line of Getzen Custom Horns. The Rick Braun Getzen was also there. It cost over $3000 and did not play any better than the Zeus. In fact I felt that the Zeus played better. So did my son and his friends. There wasn't a horn in the place that performed better than the Zeus. I wish that my financial situation had not forced me to sell my Zeus. I do plan to buy another in the future. Hoping to try the Olympus this time. Sincerely, Brian

I do know that your Guarnaveris ( I know I spelled this one wrong) trumpet is an excellent musical instrument. Somewhat heavy in weight, but the slotting and tone are excellent. Phil (NJ) (Berklee graduate)

Testimonial sent by a band director
Thanks for letting me try out the Zeus trumpets, the student model as well as the Guarnerius. I was pretty impressed with the student model, thinking that I would like some of these in my school's band inventory. However, the Guarnerius was really beautiful. The tone has a focus and clarity that far surpasses my old '69 Bach Stradivarius. It's a weightier horn than mine, easier to blow and it resonates more. When I can afford it, I thinking I'd like to invest. Much better than hedge funds in my opinion.
Mark B. (CO)              An education, like a person, is incomplete without music.

Hi I purchased a Zeus 900 s from you recently. I love the horn. Should be priced higher, than more people would believe it is a great product. I need a single radius tuning slide for it. How can I order one?
I had a good friend of mine who is a Julliard graduate, trumpet performance, play my instrument. He is a Bach person. Plays a silver Bach vintage mid 80"s. I was there when he did try mine out and it sounded brighter than his Bach. He was comparing the two. I thought the Zeus sounded much nicer. He was quite impressed.
Phil (NJ)

Alex, Please feel free to refer anyone to me on the quality of the Zeus horns and the professionalism of your business. You will always get an A+++ from me.  
Phillip

Hi Alex, While I am by no means an accomplished player, I could easily tell the difference between this horn and the Bach TR300 I had been playing. The sound captured me, and I practiced on it for a full hour. It truly is a free blowing horn and I loved how it projected that sound even while playing softly. I can't wait to play it again during my lunch break today. I used my Bach 5C mouthpiece on it, as I had to return the Bach 3C mouthpiece with the rented Bach TR300. I will pick up another 3C today and compare the sound. Thank you again for such a great horn, it really is a "Bach Killer", but then I am biased. I will definitely do business with you in the future. Hmm, I wonder how the the Olympus is?    Yours, Gary    BAA Bugler

I just wanted to say how great my new Guarnerius has been. I bought a new 900S Guarnerius about a month or so ago, and it has been amazing. Going from the intermediate, low grade, low quality horn I was playing on, to the Zeus just completely amazed me. This horn has given me a better pitch center, tone quality, and has allowed me to overcome barriers that my old horn had put up. T. Baird has played on my horn and has also said that it is a really great horn (as is his Olympus 1000). Both of these are of a wonderful quality and I would definitely recommend them to anyone. Thanks so much for the horn and accessories! Hope to do business with you again sometime in the future. God Bless, T. Thaxton, Lubbock, Tx (12/05/04)

Hello Zachary - I am a classically-trained jazz/commercial trumpet player based in Oregon. I am currently a Doctoral student at the University of Oregon working on a classical trumpet degree. I have been having no luck finding the horn that "feels" right - I've gone through a Lawler, a Max, Yamaha (closest in feel to what I want but the sound was too thin/bright), Bach 43, and various other horns. I currently own a vintage Benge X3, a Conn Vintage One, and a Bach 37 customized with a Charlie Melk leadpipe and tuning slide. None of these horns are making me happy.

I borrowed an aquaintances Zeus Guarnarius (I think that's the one - the owner is Steve Maricle) with a Copper bell. I immediately felt at home. I did not have to fight with the horn - it took my air, allowed me to make MUSIC not think about technique! And this is true with both the radial tuning slide and the "Bach-style" slide. Wow. I'm curious - what would an exact copy of what Steve has cost? Also, do you do trade-ins at all?
Thanks, Timothy Steven Clarke Graduate Teaching Fellow, Trumpet/Jazz Studies University of Oregon School of Music

Hi Alex, I am e-mailing you as per your request, for the purchase of a Silver Aegis Mouthpiece. I can't wait to get it. I keep your trumpet with me everywhere I go. I have it in my work cube right now, as I usually play during lunch. I Just wanted to let you know that regardless of what the "effete snobs" say about ZeuS, I will be a loyal fan. You have produced one of the finest horns I have ever played. Thanks for both your help and advice. Gary (MA)

Alex, my son (Kyle) is overjoyed with his new Zeus Guarnerius trumpet; he has already played through two invitationals and is looking forward to the start of state elimination rounds this week. The instrument is AWESOME !!! We have had numerous compliments on the trumpet; including members of the music staff who had previously recommended the Bach Stradivarius. Mostly, at this point, we have noticed the extreme improvement in tone quality, increased register, and the ease in which Kyle is able to get the same sound out of the horn (without variation) each time he plays. This trumpet is accentuating Kyle's current playing skills (already advanced at the high school level) and we are very excited about the potential of this instrument as he continues to advance his playing abilities. Thanks again for an unbelievable deal . . . we're spreading the word . . . ZeuS trumpets are THE BEST !!!    Mark T.   (Scottsburg, IN)

I found this horn to have tight compression. The Zeus Aegis mouthpiece is the most comfortable I ever played. This horn plays very well and slots in tune with the best of horns. It plays very much like a Bach Stradivarius ML horn. I can definitely see this horn being modeled after the famous Bach Mt. Vernon ML horns. The finish is fantastic and looks very cool at a gig.   Jack (MN)

Dear ZeuS Guy,
I purchased a Guarnerius ZTR 900 B-Flat in Brushed Copper earlier this year from Zach Greenshaw, this after playing on an antiquated Getzen Capri Cornet since 1984. My fear with moving into a trumpet after playing Cornet for that long was the tonality difference: hence the heavier metal in my ZeuS. I weighted the caps, and stepped into a Monette mouthpiece and man...WHAT A BEUATIFUL SOUNDING HORN! I wouldn't trade this instrument for anything!   Tom H. (GA)

I am a music student at the University of Missouri-Kansas City. Zeus Guarnerius trumpet The trumpet is fantastic and I am very pleased with it. It is a much better instrument than the Bach I was playing on.   Shawn (MS)

Alex, I received the Guarnerius trumpet this afternoon. Once I started playing I couldn't put it down for about two hours. This is an incredible horn. I just love the warm and dense tone. Its easy to play and slots very well. It opens up on the higher notes and they just seem to pop out. Yet it retains a somewhat warmer tone in the upper register which I like. It sounds great either loud or soft. It sounded great on everything I played from jazz to slow ballads. It's a very expressive trumpet and it's easy to bend and color the notes. Janet, thanks for coming to the LaCrosse Trumpet Festival and introducing me to the ZeuS trumpets. If you hadn't come I wouldn't have this trumpet right now. Also thanks for the personal audition of your two trumpets afterwards. Roger P (Wausau WI)

Sorry for taking so long to write again. The day after I received the trumpets, I had to go to Jogjakarta. There I met some friends by chance. One of them had this Bach Stradivarius, and I brought my new Guarnerius, so we got them compared side by side. All of us agreed, the Guarnerius is easier and more comfortable to play, and also has richer, beautiful tone color. Too bad, here in Indonesia, most musicians are not rich. So they mostly prefer to buy second-hand trumpets that could be much cheaper than new ZeuS (plus all the costs and taxes). I will keep on trying to introduce the ZeuS, and hopefully many more would also realize that good quality, not economical reasons, makes first priority in choosing musical instruments. I had thought to make some kind of brochure about trumpets and about ZeuS. I think it would help introducing your products, for not everyone here have easy access to internet. Is that okay? I feel so lucky to have found your website, and then be able to make the deal with you. Your trumpets are everything as you said and more; so I need to say : thank you, very much... Jodi (Indonesia)

There is quite a buzz about anticipations, both ours and others in our music community have to check out this horn once we take delivery. Please e-mail the payment form as soon as you are able. Both of the trumpets we had for sale sold, so we will be able to proceed quickly. I suspect there will be a lot of interest and maybe the purchase more trumpets as well. Thanks for all your assistance. Best Regards, Daniel T. (Tifton, GA)

That Zeus 900 horn is awesome, just as represented by all the testimonials we read.    Thanks, Dan T. (Tifton, GA)

Alex, I got my new Guarnerius flugelhorn and 900 trumpet last Thursday (a day ahead of schedule). I was concerned to spend money on 2 horns I had not had a chance to test drive. Not to worry. WOW! This started with me wanting a flugelhorn to supplement my 30 year old Bach Strad. Results? I love the flugelhorn, but am totally amazed with the new trumpet. It is no exaggeration to say that if I had had this horn when I was looking for a way to make a living I probably would have skipped law school. I can't put it down. I also tried the Aegis mouthpiece on my Bach and got majorly improved results. It is a much more efficient mouthpiece than the Bach 1 ½ that I am used to. The intonation, range and slotting are excellent, but what impresses me most is the ease with which this horn produces all ranges of sound. I have already played it at big band rehearsal and soloed in church. The guy beside me in big band tried it and his evaluation is that the horn plays itself (he owns nearly a dozen horns). A professional who is also a Bach player tried it and agrees that it is exceptionally well balanced in your hand and plays extremely easily. He asked for your web cite. I can do a lot more with dynamics (particularly very softly) without worrying about attacks or tone issues. I currently have configured the horn with the heavy valve caps and radial slide. I want to change it up some as I get more used to it. This is all after only 4 days with this amazing instrument. I am not an expert here and I am sure there may be better horns available, however, before anyone spends a bundle on another name they should try to get their hands on one of these. If the quality and results are consistent with my experience they will be hard pressed to find a better horn for a lot more money. My 30 plus year love affair with Bach is now officially over.    Hal (NC)

My son is really enjoying his new horn. His new instructor plays a Bach Strad. First thing she said when she saw my son's horn was "What a gorgeous instrument." Then she played it--best valve action she had ever felt. And she has been playing trumpet for over thirty years! Bob (FL)

Currently i play on the Zeus Guarnerius Bb trumpet, in the copper finish, which my father got me for christmas when i was a freshman. The quality and individuality of the horn, which i have grown to love, is what brings me to your instruments once again. Thank you for your outstanding craftsman ship and I look forward to a future purchase. Nicholas (CO)

This kid has put down his Severinsen Akright ax (The Lead Model) in favor of his Zeus Guarnerius horn. Smart kid. I purchased the Guarnerius (for myself) from you two years ago November 2004. I have since seen ASU Dr. Hickman students (presumably poor..at least by college student standards) perform on that same ax at ITG conferences (quite well)..etc. Brad (WA)

Alex: I just bought one of your magnificent horns. (Guarnerius). I can see why everyone is jealous and envious of your success with such a fine design. Thanks Claude

My band director just received a Zeus G Trumpet, I borrowed it for a day from him. This is one heck of a horn. All your negative talk about Bach is sadly true. I can see that now. Whoever does not believe you, only needs to try this ZeuS trumpet and their Bach will be handed down to their young kid or sold to some dumb shmuck. The Guarnerius plays like a dream. It does very much remind me of the vintage trumpets I played in the past. The ZeuS just blows all my friends trumpets away. I just had to write this message to you.  I want one.  Jamie D. (MA)

 

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